"Is he in love with you?"

"He thinks he is."

"Are you in love with him?"

Maria smiled, and with her teacup half-way to her mouth hummed a line from an old Scotch song:

"I'm glad that my heart's my ain."

Such conversation, touching many people and many topics, was naturally prolonged, and when Neil came home it was carried on with renewed interest and vigor. And Maria was not deceived when Neil with some transparent excuse of 'going to see a friend' went out at twilight.

"He is going to see Agnes," she thought; "my coming home is too good an excuse to lose, but why did he not tell me? Lovers are so sly, and yet all their cunning is useless. People always see through their little moves. In the morning I shall go to Agnes, and I hope she will not be too advising, because I am old enough to have my own ideas: besides, I have some experiences."

All the way to her friend's house in the morning, she was making resolutions which vanished as soon as they were put to the test. It was only too easy to fall into her old confidential way, to tell all she had seen and heard and felt; to be petted and admired and advised. Also, she could relate many little episodes to Agnes that she had not felt disposed to tell her grandparents, or even Neil—compliments and protestations, and sundry "spats" of envy and jealousy with the ladies of the party. But the conversation settled mainly, however often it diverged, upon Lord Medway. Agnes had often heard her father speak of him. He knew John Wesley, and had asked him to preach at Market-Medway to his tenants and servants; and on the anniversary of the Wesley Chapel in John Street he had given Mr. Bradley twenty pounds toward the Chapel fund. "He is a far finer man than he affects to be," she added, "and father says he wears that drawling, trailing habit like a cloak, to hide his real nature. Do you think he has fallen in love with you, Maria?"

"Would it be a very unlikely thing to happen, Agnes? He danced only with me, and when Major André arranged the Musical Masque, he consented to sing only on the condition that I sang with him."

"And what else, Maria?"