"I see not how nor why."
Then Mrs. Caird went pitilessly over the sensation the double marriage would make not only socially, but in the Church of the Disciples. She put into the mouths of its elders, deacons and members the foolish jibes and jokes they would be sure to make. The riddling and laughter and comedy sure to flow from the situation were vividly present to her own imagination, and she spared Marion none of the scorn and indignation they would evoke.
"Just think, Marion," she continued, "of your father having to thole all this vulgar tomfoolery—he, that never sees a flash of humor, however broad and plain it may be. Some men would just laugh, and let the jokes go by, but not so your father. They would be words in earnest to him, and every word would be a whip lash. He would fret and fume and worry himself into a brain fever, or he would fall into one of his miraculous passions with some laughing fool, and there would be tragedy and ruin to follow."
Marion did not speak, but she was white as the white dress she wore. Mrs. Caird looked at her and was not quite pleased with her attitude. She had expected tears or anger, and Marion gave way to neither, but her silence and pallor and a certain proud erectness of her figure spoke for her. At this hour she was startlingly like her father. She had put herself completely in his place, and was moved just as he would have been by her aunt's scornful picture of the Church of the Disciples in a jocular insurrection. So she looked like him. Quick as thought and feeling, the soul had photographed on the plastic body the very presentment of Ian Macrae. Her erect figure, her haughty manner, her scornful and indignant expression, and her large dark eyes, full of reproach, but quite tearless, were exactly the symptoms which he would have manifested if subjected to a like recital. For it is the expression of the human face, rather than its features, which makes its identity. The face enshrined in our hearts, which comes to us in dreams, when it has long moldered in the grave, is not the mechanical countenance of the loved one—it is its abstract idealization, its essence and life—it is the spirit of the face.
Mrs. Caird was astonished. It was a Marion she did not expect, but after a few moments' silence she said, "You can see your father's position, child?"
"Yes, I can see it and feel it, too. He would be distracted with the gossip and the disgrace of it."
"Well, then?"
"I must prevent it."
"Would you marry Allan Reid?"
"No."