lonely place; and the few lights in its windows beckoned him far more pleasantly than the brilliant illuminations of Vauxhall or Almacks, or even the cold splendours of royal receptions. He had given Katherine no warning of his visit—partly because he had a superstitious feeling about talking of expected joys (he had noticed that when he did so they vanished beyond his grasp); partly because love, like destiny, loves surprises; and he wanted to see with his own eyes, and hear with his own ears, the glad tokens of her happy wonder.
So he rode his horse upon the turf, and, seeing a light in the stable, carried him there at once. It was just about the hour of the evening meal, and the house was brighter than it would have been a little later. The kitchen fire threw great lustres across the brick-paved yard; and the blinds in Katherine's parlour were undrawn, and its fire and candle-light shone on the freshly laid tea-table, and the dark walls gleaming with bunches of holly and mistletoe. But she was not there. He only glanced inside the room, and then, with a smile on his face, went swiftly upstairs. He had noticed the light in the upper windows, and he knew where he would find his wife. Before he reached the nursery, he heard Katherine's voice. The door was a little open, and he could see every part of the charming domestic scene within the room. A middle-aged woman was quietly putting to rights the sweet disorder incident to the undressing of the baby. Katherine had played with it until they were both a little flushed and weary; and she was softly singing to the drowsy child at her breast.
It was a very singular chiming melody, and the low, sweet, tripping syllables were in a language quite unknown to him. But he thought that he had never heard music half so sweet and tender; and he listened to it, and watched the drowsy, swaying movements of the mother, with a strange delight,—
"Trip a trop a tronjes,
De varkens in de boonjes,
De keojes in de klaver,
De paardeen in de haver,
De eenjes in de waterplass,
So groot mijn kleine Joris wass."
Over and over, softer and slower, went the melody. It was evident that the boy was asleep, and that Katherine was going to lay him in his cradle. He watched her do it; watched her gently tuck in the cover, and stand a moment to look down at the child. Then with a face full of love she turned away, smiling, and quite unconsciously came toward him on tiptoes. With his face beaming, with his arms opened, he entered; but with such a sympathetic understanding of the sweet need of silence and restraint that there was no alarm, no outcry, no fuss or amazement. Only a whispered "Katherine," and the swift rapture of meeting hearts and lips.
XIII.
"Death asks for no man's leave,
But lifts the latch, and enters, and sits down."