Woman in the golden ages

by Amelia Gere Mason

Fortune certainly favored the aspiring empress. Her gentle sister-in-law, Octavia, died in good time for her ends. The brilliant Julia, who won hearts and stood in her way, plunged recklessly to her own ruin, taking with her into a hopeless exile the wronged but troublesome Scribonia. Of this step-daughter’s sons, two were dead in a far country, and the remaining one was chained for his vices to a desolate rock in the sea. Of her daughters, one followed in the footsteps and the fate of her unfortunate mother; the other was the first Agrippina, a proud, imperious woman with her mother’s beauty and her father’s inflexible will and courage. This granddaughter of Augustus, so noted for her virtues, her talents, and her sorrows, had followed her husband’s fortunes with wifely devotion, commanded the adoring soldiers in his absence, and returned heartbroken, with his ashes, to stir up Rome against his supposed murderer, whose wife, one of Livia’s friends, was implicated. Sure of the justice of her cause and the sympathy of the people, she defied the cruel Tiberius and the cool Livia,—who was bent upon saving her possibly innocent favorites,—to be finally sent to starve on the rocky islet where her erring mother had expiated her follies and her vices. She was a tragical figure, this spirited and haughty Agrippina with the face and air of a Minerva and the fiery spirit of Mars, who paid so heavy a penalty for her virtue and her loyalty. It is said that Livia interceded for her, though without avail; also that she supported the second hapless Julia until her death. Whether this was a stroke of diplomacy, or the impulse of a pitying heart, we cannot know.

The center of a hostile group, it is clear that Livia’s rôle was a difficult one, and the skill with which she disentangled these conflicting interests is the best proof of her insight and worldly tact. She had the instinct of leadership which divines men, women, and possibilities, and is swift to bend circumstances to its own ends. If she had her full share of troubles and chagrins, she hid them within her heart, kept her own counsel in perilous crises, and pursued her way with the calmness of a strong soul. By a singular fatality, every human barrier was swept from her path, some by fate and their own misdoings, some by more kindly nature, and some by intrigues, the mysteries of which we cannot fathom. In the end she dominated friends and enemies alike.

But, in spite of her success, the last of her eighty-eight years were burdened with griefs. Her heart was wounded in the tenderest point by the son for whom she had toiled and schemed; her pride was humiliated, and her hopes were dashed. That she played the sovereign and became capricious and exacting, was perhaps in the nature of things. No one was ever more flattered and honored by an admiring people. The Senate paid court to her, her receptions were officially announced, her signature was attached to decrees, she was attended by lictors when she went out, and had an altar on which her name was adored. She had a conspicuous place among the white-robed vestals and was made a priestess of Augustus. When she was ill the world mourned; when she recovered there were fêtes and votive offerings. “A woman in all things more comparable to the gods than to men, who knew how to use her power so as to turn away peril and advance the most deserving,” said one of her contemporaries. She remained to the end a stately figure among women who have held the reality of power without its titles, not through the arts of the coquette, but through tact, wisdom, foresight, and intellectual force. With less temperament and esthetic quality, she recalls Aspasia in her vigor, her mental grasp, and her power to hold the affection of a great man in an age when such love seems to have been rare. Perhaps we find a closer resemblance in Mme. de Maintenon, who combined her strength, her cold reason, and her political sagacity with a finer modern culture. It may be that the latter used her power less wisely, but she was a sadder woman. She reached the goal of her ambition only after the loss of her illusions, if she ever had them, and the task of catering to the caprices of a spoiled monarch was too much for her. The records of her life reveal too surely the tragedy of a soul; she lacked the stoical endurance to suffer and make no sign. Livia apparently never ceased to love the husband of her youth, and they worked in sympathy. With this firm foundation of happiness, all things were possible. One can point to no mistakes that were made through her counsels, and their weight is shown in the letters of Augustus himself. Of her wisdom and moderation, no better evidence is needed than the unparalleled cruelties of her son as soon as her restraining influence was gone.

We have able and gifted women to-day who are companions or mothers of great rulers, but I can recall no one not a reigning queen who has a like influence or has received equal honors. Have women of masterful character lost the subtle art of fascination to make it available, or are modern rulers smaller men, who fear a rival? With us, women of this type find their place as presidents of charitable associations or powerful clubs, or leaders of a conservative society. Sometimes they are better known as wives and helpers of men with political aspirations. But we rarely hear of them in the latter rôle, as they are usually lost in a glory which they often make but do not visibly share.

II

In striking contrast to the many-sided Livia is the less dominating but more sympathetic Octavia, who lives through her virtues and her sufferings rather than her talents. This much-loved sister of Augustus represents the conservative element of the new age, with its amiable weaknesses and time-honored graces. The idol of her brother, who, nevertheless, did not hesitate to sacrifice her to his own interests and ambitions, she was the victim of lifelong misfortune. She was said to be more beautiful than her rival, Cleopatra. If her likeness in marble can be trusted, she had not the air of command that one sees in so many statues of Roman women. There is more of sensibility in the poise of the delicately shaped head, with its broad, low forehead. In the drooping corners of the full, tender mouth lies the sorrow of years fallen into a settled melancholy. But there is no lack of strength in the face, which shows also a quality of clear sense and practical judgment. She was noted for dignity, reserve that verged upon coldness, and great simplicity of manner. Her reputation was without a cloud. It was the wish of her brother to take her from her first husband and marry her to Pompey, in order to cement an alliance, but this proposal she absolutely refused.

After the death of Marcellus she was given, for reasons of State, to the cowardly and perfidious Antony, the Senate even setting aside a law that required a woman to wait ten months before remarriage. It was thought that her beauty, with her graces of mind and character, might win him from his follies—sad illusion, and source of many tragedies. She composed grave differences and used her influence for peace. When she returned from Athens, where she spent the first years of her marriage and was greatly loved for her gentle qualities and her fortitude in sorrow, she entreated her brother to forego his warlike purposes. “The eyes of the world are necessarily turned on one who is the wife of Antony and the sister of Cæsar,” she said; “and should these chiefs of the empire, misled by hasty counsels, involve the whole in war, whatever the event, it will be unhappy for me.” She gained concessions from each, and averted the immediate trouble.

But this conciliating spirit did not prevent the fickle Antony from breaking her heart, as he had that of the fiery and ambitious Fulvia. The strongest proof of her sweetness of temper and greatness of soul may be found in the fact that she brought up the children of Fulvia with her own, also the children of Cleopatra, after the latter’s death.

The worst fault ascribed to Octavia was aiding in the divorce of her own innocent daughter from Agrippa, the stern old soldier who was chosen by Augustus as a desirable husband for his only child, the young and widowed Julia. Whatever ambitions she may have had were crushed by the death of her youthful son. Naturally she did not love the intriguing sister-in-law, who ruled all about her in a way that was none the less sure because it was quiet. It is even possible that she was not unwilling to do what came in her path to circumvent the schemes of Livia for her own family. “She detested all mothers,” says Seneca, “and, above all, Livia,” who had domestic joys which she had not. But Seneca may not have been quite just, as he preferred women of a strong, heroic type, and this mother of sensibilities so acute that she fainted when Vergil read his eulogy of Marcellus in her presence, was not much to his liking. It is more probable, however, that resistance was useless. Where the emperor decreed, she had only to obey. Once, indeed, she had shown her loyalty and her strength by refusing a like proposal in her own case, but the marriage of Julia was vital as a matter of State, and it is not likely that Augustus would have sacrificed a thing upon which he had set his heart, to the happiness of any woman whatever. Perhaps, too, she shared the common belief that private inclination must never stand in the way of public benefit. It was the noblesse oblige of good rulers.

Octavia no doubt had her little foibles, though it is not at all certain that this step was due to one of them; but she did not forget the duties of her position. She had wide fame as a loyal, charitable, self-sacrificing, and virtuous woman. In the spirit of the new age, she patronized talent, and gave a public library to the portico which Augustus had built in her honor, filling it with valuable paintings of classical subjects. In the failure of her hopes and the loss of her illusions, she still devoted herself to the children of Antony as well as her own, and interested herself in arranging suitable marriages for them. But these things failed to bring consolation to a bruised heart, or serenity in the troubles that had fallen upon her. She shut herself from the world after her last humiliations, and died of her griefs at fifty-four, revered and idolized by the Roman people, who resented her wrongs as much as they pitied her sufferings. But the son she never ceased to mourn had been in his tomb many a year, and the fickle husband who deserted her had ended his career in disgrace long before. She did not live to see the downfall of Julia, the death of her august brother, or the final triumph of Livia. She was spared, too, the misfortunes that befell some of the children of her love and care.