There was my madcap comrade, down on her knees afore the settle, wi' both hands gripped in her thick locks, and her head bent forward on th' wooden seat; and she made no sound, neither uttered she any word, but a shook like water when a heavy weight rolls past. And a drew long breaths ever and anon, like one that hath been half drowned and is coming back to life. And I knew then, I knew then, comrade. I had thought a loved th' boy; and I knew then. So I got me out, without making any clatter, and I sat me down on a bench outside th' kitchen door to think 't over; and, by cock and pye, man, ne'er a thought could I think for th' tears in my eyes. Th' poor lass! th' poor lass! It fetches th' salt into my een now to think on 't. Well, well, what's past is past, and God himself cannot undo 't; and what's coming's coming, and God wunnot hinder it an he could; so there's an end on 't. Fill up, man, fill up! What there, I say! Joel, I say! A quart o' sack for Master Turnip.
Well, when I had thought it well o'er, I did determine to say naught to th' lass whatsoever; neither did I; but meseems I was bound to o'erhear heart-breaking words atween somebody, for th' very next day, as I was henting th' style as leads into th' lane (thou knowest the lane I mean, comrade: 't lies atween Cowslip Meadow and th' pool i' th' hollow—Sweethearts' Way, they call 't)—well, as I was getting o'er th' style—as I had just got me o'er by one leg, after this fashion, ye mind; as though this chair here were th' style, and yonder chimney-place th' lane—Sweethearts' Way, ye mind—well, as I was half over, and Mumble, th' turnspit pup, half under, as 'twere, I heard voices—voices, comrade—one o' them th' voice o' that lass o' mine, and t'other th' voice o' young Hacket.
"Here be a coil," say I. "What's to do?"
Now the pup seemed to be filled with the spirit o' th' Lord all on a sudden, after th' fashion o' th' talking jackass i' th' Scriptures; for if a didna talk a did th' next thing to 't—a tried to. And after pulling at my heels like as though a fiend had got him, a scuttles into th' thicket, for no cause, as I could see, but to give me th' benefit o' example. So in goes I after him. Scarce was I settled, with a bramble down th' back o' my neck, and some honey-bees at work too nigh to my legs for my peace o' mind, when they come, and both a-chattering at th' same time like two magpies with slit tongues.
"Thou didst!" quoth he. "That did I not!" quoth she. "Thou didst, and I can prove 't on thee!" quoth he, louder than afore. "I tell thee I did not, and thou canst sooner prove that Bidford Mill turns the Avon than that I did!" quoth she. "Wilt thou stand there and tell me i' th' eyes that thou hast so oft looked love into," quoth he, like a man choked with spleen—"I say, wilt thou, Keren Lemon, stand there and face me, Robert Hacket, and say thou hast ne'er given me reason to believe that thou didst love me?" quoth he. "No more cause than I've given to twenty better than thee!" quoth she. "Shame on thee to say 't, thou bold-faced jig!" saith he; "shame on thee, I say! and so will say all honest folk when I tell 'em o' 't." "An thou tell it, the more fool thou," saith she; and a draws up her red lips into a circle as though a'd had a drawstring in 'em, and a stands and looks at him as a used to stand and look at her dam when she chid her for a romp. Then all on a sudden, with such a nimbleness as took away my breath and drove all thoughts o' brambles and honey-bees clean out o' my pate, he jumps aside o' her, and gets her about th' middle, as he did that day under th' pear-tree, and quoth he, "Lass," quoth he, "dunnot break my heart! dunnot break th' heart that loves ye more than a' that's in the earth, or th' heavens above, or th' waters below! Say ye love me, and ha' done with 't."
Then gives she up herself to him for one beat o' her own breaking heart, the poor madcap, and she leans on him with all her pretty self, as though begging him to take her against her own will, and then a cry breaks from her, half human, and half like th' cry o' a hurt beast, and she saith,
"Shame on ye, shame on ye, to forsake th' lass ye ha' sworn to wed! Get thee back to her straightway, or ne'er look me i' th' face again!" And she leaps back from him, and points with her arm—as stiff and steady as th' tail o' a sportsman's dog—towards th' village, and she saith again, "Get thee back to her; get thee back to Ruth Visor, and wed with her ere this month be out o' the year!"
Then lifts he his sullen head, and looks at her from under his brows like a smitten blood-hound. And he saith back o' his clamped teeth, like as 'twere a dog gnarling in his throat, "curse ye for a false jade!" saith he; "Curse ye for as black-hearted a jade as e'er set an honest man on th' road to hell!" And he turned, and cleared th' style with one hand on 't, and went his ways.
And th' lass stood and looked after him as still as though she were turned into a pillar o' summat, after th' manner o' th' woman i' th' holy book, and both her hands grasping her breast. But anon there comes a trouble o'er her face, like as when a little wind doth run across a gray pool at eventide, and her lips begin to tremble, like as though some red flower a-growing on th' bank was shaken by 't, and her eyes all full o' woe, like th' eyes o' some dumb thing as cannot word its sorrow; and all at once she falls upon her knees, and thence upon her forehead on the ground, and afterwards to her whole length, with her strong hands grasping th' flowers and grass on either side o' her, and tearing them up with th' crackling noise that a horse makes when 't grazes. But no sound escapes her, whether a sigh or a groan. Well, well, comrade, I cry thee patience if I do stumble here a bit: I cannot think on 't now without a tightness i' my throat, any more than a man can think o' th' day his first child was born to him without his heart leaping hot in 's throat like the flame to th' bellows. Well, well! Fill up, I say; fill up. Remember th' old days, when thou wast more ale-washed than th' bottle itself. Where be I i' th' narrative? Yea, yea, 'tis there—'tis there; I mind me o't now.
No sound 'scaped her, but presently she lifts herself up upon her knees again, with such heaviness as a horse overburdened doth get him to his feet, and she holds out both her arms i' th' direction where th' lad hath vanished, wi' th' grass and flowers yet fast in her clinched hands; and she saith twice, i' th' voice o' a woman in travail,