No. 261. Wood Inlay.
No. 262. Wood Inlay. Simple silhouette depending on natural colour.
Intarsia
In the Intarsia detail of the Italian Renaissance, the inlaid forms were elaborated by surface markings and graduated effects were obtained by means of hot sand; but the natural contrast in the varied colour and fibres of the material employed probably form the more legitimate interest in all inlaid work.
No. 263. Wood Inlay. Simple silhouette.