Acanthus Foliage, [38], [263]
“ Leaf (Greek) [264]
“ “ (Roman) [266]
“ “ (Byzantine) [267]
Romanesque, [268]
Gothic, [268]
Italian Renaissance, [279]
French Renaissance, [280]
Jacobean, [280]
Louis XIV, [283]
Louis XV, [284]
Louis XVI, [284]
Grinling Gibbons, [285]
Adam, [286]
System of the, [286]
Adam, Robert, [123]
Alberti, Leo Battista, [76]
Ancient Pottery, [8]
Animals in Art, [331], [334]
“ “ Compound, [336]
Angelo, M., [79]
Anthemion, The, [262]
Anthemius, [45]
Apathy, Public, [8]
Appliqué, [296]
Appreciation of Design, [288]
Architecture, Egyptian, [22]
Chaldean, [25]
Greek, [28]
Roman, [35]
Byzantine, [43]
Romanesque, [49]
Gothic, [59]
Renaissance, Italian, [75]
“ Florentine, [76]
“ Roman, [78]
“ Venetian, [80]
“ French, [85]
“ in England, [88]
“ Elizabethan, [91]
“ Jacobean, [93]
“ English, [102]
“ Louis XIII, [103]
“ Louis XIV, [106]
“ Louis XV, [110]
“ Later English, [113]
Architectural Drawing, [158], [363]
Architectural Features, Abacus, The, [173], [175], [178]
Arch, [20]
“ Pointed, [58]
“ Decorated, [64]
“ Perpendicular, [68]
“ [184]
Arcades, [200]
“ Vaulted, [201]
Architrave, [161], [164], [169], [172], [211]
Archivolt, The, [186], [187]
Attic, The, [208]
Baluster, The, [191]
Balustrading, [193]
Battlement, The, [66]
Base, The Doric, [181]
“ The Ionic, [182]
“ The Corinthian, [183]
Basement, The, [207]
Buttress, The, [59]
Capital, The Doric, [173]
“ The Ionic, [175]
“ The Corinthian, [178]
Clerestory, The, [51], [67]
Column, The, [172]
“ Employment of, [194]
“ Disposition and Spacing of, [195]
Corinthian Order, The, [163]
Cornice, [161], [164], [169], [171], [209]
Doric Order, The, [161]
Doors, [211]
Entablature, The Doric, [164]
“ The Ionic, [169]
“ The Corinthian, [171]
Frieze, The, [161], [164], [167], [169], [171], [213], [226]
Impost, The Doric, [185]
“ The Ionic, [186]
“ The Corinthian, [187]
Ionic Order, The, [163]
Keystone, The, [187]
Lintel, The, [19]
Mouldings, [61], [64], [68], [97], [107]
“ Profiles, [138]
“ Purpose of, [139]
“ Decoration of, [143]
“ Employment of [147]
Mutule, The, [164]
Order, The, [160]
“ The Doric, [161]
“ The Ionic, [163]
“ The Corinthian, [163]
Pedestal, The, 188
Pedestal, The Doric, [189]
“ The Ionic, [190]
“ The Corinthian, [190]
Pediment, The, [209]
Piers, [60], [184], [200], [205]
Pilaster, The, [160], [199], [235]
Plynth, The, [161], [181], [183], [184], [188], [190], [191], [193], [204], [208]
Rustication, [205]
Subsidiary Order, The, [202]
Superimposed Orders, [197], [204]
System of Proportion, [159]
Triforium, The, [53], [60], [67]
Vault, The, [20], [36], [53]
“ Treatment of, [224]
Vaulting, Fan, [68]
Volute, The, [175]
Windows, [60], [213]
“ Plate Tracery, [61]
“ Tracery of, [63], [64]
Art, Interest in, [1]
Definition of, [5]
As an Appeal, [5]
Ethical Side of, [14]
Desire for Novelty in, [15]
Egyptian, [23]
Chaldean, [25]
Greek, [33]
Roman, [38]
Græco-Roman, [40]
Byzantine, [45]
Artistic Phases of Expression, [10]
Aureole, The, [340]
Baluster, The, [153], [191], [246]
Bank of Ireland, [136]
Base, The Doric, [181]
Base, The Ionic, [182]
“ The Corinthian, [183]
Basement, The, [207]
Battlement, The, [66]
Bazzi Gian Antonio (Sodoma), [83]
Berain, Claude, [106]
“ Jean, [106]
Bernini, [80]
Book Decoration, [300]
Borders, [227]
“ Treatment, [233]
Boule, André Charles, [106], [109]
“ Work, [298]
Bramante, [78]
Branching, Types of, [273]
Brunelleschi, [76]
Buttress, The, [59]
Byzantine, Art, [45]
Caduceus, The, [342].
Cannibalism, [336]
Capital, The, [22], [50]
Capital, Doric, [173]
Ionic, [175]
Corinthian, [178]
Carved Work, [301]
Design for, [302]
Ceilings, Jacobean, [97]
Louis XIII, [105]
Louis XIV, [108]
Louis XV, [112]
Treatment of, [218]
Centaur, The, [339]
Chaldean Art, [25]
Chambers, Sir William, [136]
Chambord, Chateau de, [86]
Champleve Enamel, [47]
Chenonceaux, sur Loire, [86]
Chimney-piece, Jacobean, [94]
Chippendale, [121]
Choragic Monument, [32]
Christian Art, Early, [46]
Circle, Symbolic meaning of, [340]
Cipriani, [126]
Clerestory, The, [51], [67]
Colour, Symbolism of, [345]
Use of, [353]
Opaque, [360]
Column, The, [172]
Employment of, [194]
Disposition and Spacing of, [195]
Commercial Production, [6]
Intercourse, [12]
Convention, [292]
Accepted, [351]
Cornucopia, The, [346]
Corinthian, Order, [163]
Entablature, [171]
Capital, [178]
Base, [184]
Pedestal, [190]
Impost, [187]
Craft Restriction, [256]
Cressent, Charles, [111]
Cross, The, [343]
Crozier, The, [344]
Crux Ansata, [343]
Customs, Survival of, [311]
Early Burial, [322]
Dance, George, [136]
Decorative, Materials, [289]
Deities, Egyptian, [318]
Deities, Greek and Roman, [316]
Scandinavian, [317]
Pan, 339
Delorme, Philibert, [87]
Dentils, [146]
Design, Mental vision in, [1]
Inspired, [2]
Process and material in, [2], [8]
Considerations in, [3]
Public demand, [3]
Training in, [4]
Influence in, [4], [8], [12], [18]
Architectural influence in, [14]
Appreciation of, [288]
Structural, [363]
Domes, Byzantine, [43]
Treatment of, [224]
Domestic Conditions, [54], [72], [74]
Donatello, [76]
Doors, Jacobean, [96]
Proportions and Treatment, [211]
Doric Order, [28], [161]
Entablature, [164]
Capital, [173]
Base, [181]
Pedestal, [189]
Impost, [185]
Ecole de Médécine, [132]
Echo, [319]
Egyptian Art, [22]
Enamel, Byzantine, [47]
Endymion, [319]
Enlarging Drawings, [360]
Equipment, Mathematical, [365]
Eurydice, [324]
Evangelists, [331]
Evolute Scroll, The, [234], [261]
Farnese Palace, [79]
Fates, [318], [320]
Figure Composition, [244]
Filagree Jewellery, [258]
Flowers, in Ornament [270]
Fontainebleau, Palace of, [86]
Forms in the round, [245]
Four Courts, Dublin, [136]
French Renaissance, [85]
Louis XIII, [103]
Louis XIV, [106]
Régence, [111]
Louis XV, [110]
Louis XVI, [127]
Empire, [135]
Frieze, The, [226], [266]
Furniture, Egyptian, [24]
Chaldean, [27]
Greek, [32]
Roman, [39]
Middle Age, [54]
Decorated Gothic, [66], [73]
Italian Renaissance, [84]
English Renaissance, [92]
Jacobean, [98]
Louis XIII, [105]
Louis XIV, [108]
Louis XV, [113]
English (Dutch Influence) [118]
Queen Anne, [120]
Chippendale, [121]
Lacquered, [113], [126]
Painted, [126]
Sheraton, [127]
Louis XVI, [133]
Empire, [135]
Gallo, Antonio San, [79]
Gallo, Giuliano di San, [79]
Gandon, James, [136]
Gems, Symbolism of, [345]
Gibbons, Grinling, [114], [137], [285]
Gibbs, James, [115]
Giocondo, [79]
Giotto, [83]
Gondouin, Jacques, [132]
Gouthière, [133]
Graces, Christian, [329]
Græco-Roman Art, [40]
Greek Art, [28]
Grimani Palace, [80]
Growth, Consistency in, [273]
Half Figures in Ornament, [278]
Halo, The, [340]
Hamadryads, [339]
Hampton Court Palace, [114]
Hand, Symbolism of the, [341]
Harpy, The, [320], [338]
Hawksmoor, Nicholas, [115]
Hepplewhite, [126]
Heraldry, [348]
Holbein, [89]
Holkham, Norfolk, [121]
Holt, Thomas, [91]
Horse Guards, Whitehall, [121]
Husk Leaf, The, [269]
Impost, Doric, [185]
Ionic, [186]
Corinthian, [187]
Impressionism, Early, [10]
Influence of Material, [8], [258]
Political, [12], [17], [71]
Religious, [12], [17]
Commercial, [12], [17], [71]
Civic, 70
Of the Crusades, [56]
Of Fashion, [352]
Inspiration, Belief in, [2]
Intarsia, [297]
Interior treatment, Græco-Roman, [39]
Romanesque Church, [51]
Domestic, Tudor, [73]
Italian Renaissance, [83]
Jacobean, [94]
Louis XIII, [104]
Louis XIV, [107]
Louis, XV, [112]
Wren Period, [116]
Georgian, [121]
Adam, [126]
Louis, XVI, [133]
Walls, [216]
Ceilings, [218], [221], [222]
Vaults and Domes, [224]
Ionic Order, Greek, [32]
Renaissance, [159]
Proportions of, [163]
Entablature, [169]
Capital, [175]
Base, [182]
Pedestal, [190]
Impost, [186]
Italian Renaissance, [75], [78], [80]
Jewellery, Filagree, [258]
Jones, Inigo, [81], [102], [137]
Kauffman, Angelica, [126]
Kent, William, [121]
Lace, [297]
Lacquered Furniture, [113], [126]
Lares, Roman, [322]
Leaves, Employment of, [275]
Treatment of, [293]
Lebrun, [106]
Legend, [323], [333]
Lepautre, [106]
Limitations, Human, [1]
Lintel, The, [19]
Louvre, [80], [86]
Maderno, Carlo, [79]
Madrid, Chateau de, [86]
Magical Qualities, Belief in, [325]
Mainwaring, [123]
Majano, Benedetto da, [77]
Mansart, Jules Hardouin, [106]
Mansion House, London, [136]
Marble, Byzantine use of, [47], [300]
Marquetry, [298]
Marot, Daniel, [106], [109]
Martyrdom, Symbols of, [345]
Masks, [346]
Mathematical Equipment, [365]
Material in Design, [258]
Mayhew, [123]
Medusa, [346]
Metal Work, Bronze, [42]
Byzantine, [47]
Repoussé, [304]
Cast, [306]
Mounts in Furniture, [108], [135]
Methods of Expression, [292]
Micheli, San, [80]
Modelling, [301], [304]
Mosaics, Byzantine, [47], [299]
Mouldings, Attitude of, [148]
Bolection, [152]
Decorated Gothic, [64]
Decoration of, [143]
Drawn Metal, [155]
Employment of, [147]
Jacobean, [97]
Pointed Gothic, [61]
Plaster, [153]
Pottery, [154]
Profiles of, [138]
Purpose of, [139]
Repoussé, [157]
Rolled Metal, [155]
Spun Metal, [157]
Turned Wood, [153]
Wood Panel, [149]
Muses, [328]
Mythology, Origin of, [312]
Scandinavian, [317]
Myths, Nature, [312]
Season, [314]
Sun, [315]
Nature, Myths, [312]
Study, [355]
Natural Attraction, [288]
Natural Suggestion, [353]
Phenomena, Belief in, [315]
Needlework, [296]
Newgate Prison, [136]
Nimbus, The, [340]
Noon, [318]
Numbers, Belief in, [328]
Oppenord, Giles Marie, [111]
Order, 160
Order, Doric, [161]
Ionic, [163]
Corinthian, [163]
Originality, [1]
Ornament, Roman, [39]
Byzantine, [45]
Romanesque, [50]
Pointed Gothic, [63]
Decorated Gothic, [65]
Perpendicular Gothic, [69]
French Renaissance, [88]
English “ [88], [91]
Later English “ [118]
Louis XVI, [134]
Empire, [135]
Outline, Drawing, [254]
Painted Decoration, Roman, [39]
Renaissance, [82], [294]
Painted Furniture, [126]
Palazzo, Pitti, [77]
Strozzi, [77]
Palladio, [78], [81]
Pan, [339]
Panels, Treatment of, [236]
Juxtaposition, [238]
The Composing Lines, [241]
Grouping and Massing, [242]
Division of, [242]
Pantheon, Rome, [36]
Passion, Symbols of the, [345]
Pastoral Staff, [344]
Parthenon, [30]
Perugino, [83]
Peruzzi, Baldazzare, [79]
Pineau, Nicholas, [111]
Piers, Gothic, [60]
Pinturrichio, [83]
Potters, Elementary, [9]
Pottery, Ancient, [8]
Greek, [34]
Predestination, [319]
Prehistoric Workers, [9]
Personal Production, [10]
Primitive Essays, [8]
Requirements, [11]
Prohibition, [324]
Propitiation, [320]
Raffaelle, [79]
Realism, [255]
Régence, [111]
Relief Work, Treatment of, [293], [301]
Reproduction Processes, [304]
Drawing for, [359]
Riesener, [133]
Rococo, [111]
Romano Giulio, [83]
Rosette, The, [270]
Sacred Trees and Flowers, [329]
Sacrifice, [321]
Sansovino (Jacopo Tatti) [80]
Sarto, Andrea del, [86]
Scamozzi, Vincenzo, [81]
Sceptre, The, [341]
Scroll, The, [266]
Season Myths, [314]
Secular Symbols, [347]
Serlio, [78], [87]
Shells, Symbolism of, [345]
Sheraton, [127]
Sirens, The, [338]
Social Conditions, Early, [11]
Sodoma (Gian Antonio Bazzi) [83]
Somerset House, [136]
Soufflet, [110]
Spires, Pointed Gothic, [64]
Decorated Gothic, [66]
Classic, [116]
Spiritual Belief, Early, [323]
St. Geneviéve (Pantheon) [110]
George, Bloomsbury, [115]
Mark, Library of, [81]
Martin in the Fields, [115]
Mary le Strand, [115]
Mary, Woolnoth, [115]
Paul, Covent Garden, [103]
Peter’s, Rome, [78]
Stephen’s, Walbrook, [116]
Standards, [246]
Starts in Ornament, [276]
Stencilled Work, [295]
Strapwork, [87]
Structural Design, [363]
Style, [16]
Phases in, [18]
“ “ Gothic, [60]
Sun Myths, [315]
Signs, [340]
Supports, [246]
Surface Interest, [294]
Symbols of the Evangelists, [331]
Symbolic Ornament, [310]
Taboo, [322]
Taste, [6]
Tatti, [80]
Technical Considerations, [292]
Tendrils, [271]
Textiles, Printed and Woven, [296], 361
Thorpe, Thomas, [91]
Thyrsus, The, [342]
Time, Symbols of, [346]
Torches, [346]
Torrigiano, [89]
Totemism, [336]
Tracery, [61]
Pointed, [63], [64], [68]
Tracings, [368]
Trident, The, [343]
Triforium, [53], [60], [67]
Trinity College, Cambridge, [116]
Trinity, Symbols of the, [341]
Triton, [339]
Trophies, [347]
Tuileries, The, [87]
Udine, Giovanni da, [83]
Undulate, Line or Stem, [230], [266]
Vaga, Pierino del, [83]
Vase, Greek, [29], [258]
Forms and Decoration, [248]
Vase, Stretch out and Segments, [250]
Vault, The, [20], [36], [53]
Treatment of, [224]
Vaulting, Fan, [68]
Veneer, [298]
Venetian, Renaissance, [80]
Versailles, Palace of, [106]
Vesica Piscis, The, [340]
Vignola, [78], [80], [87], [159]
Vinci, Leonardo da, [86]
Volute, The, [175]
Wallpaper, [290], [362]
Whitehall, Banqueting House, [103]
Windows, Glazing of, [47], [67]
Pointed Gothic, [61]
Decorated Gothic, [64]
Perpendicular Gothic, [68]
Domestic, [73], [74]
Jacobean, [98]
Treatment of, [213]
Winds Personified, [319]
Wood, Inlay, [297]
Treatment of, [289]
Wren, Sir Christopher, [81], [114], [137]