One's diary is attractive reading, and productive, if he have the art of keeping one.

Thoreau wrote in his:—

"I set down such choice experiences that my own writings may inspire me, and at last I may make wholes of parts. Certainly it is a distinct profession to rescue from oblivion and to fix the sentiments and thoughts which visit all men, more or less, generally, and that the contemplation of the unfinished picture may suggest its harmonious completion. Associate reverently and as much as you can with your loftiest thoughts. Each thought that is welcomed and recorded is a nest-egg by the side of which another will be laid. Thoughts accidentally thrown together become a frame in which more may be developed and exhibited. Perhaps this is the main value of a habit of writing or keeping a journal,—that is, we remember our best draught, and stimulate ourselves. My thoughts are my company. They have a certain individuality and separate existence, large personality. Having by chance recorded a few disconnected thoughts and then brought them into juxtaposition, they suggest a whole new field in which it is possible to labor and think. Thought begets thought. I have a commonplace-book for facts, and another for poetry. But I find it difficult always to preserve the vague distinctions which I had in my mind, for the most interesting and beautiful facts are so much the more poetry,—and that is their success. They are translated from earth to heaven. I see that if my facts were sufficiently vital and significant, perhaps transmuted more into the substance of the human mind, I should need but one book of poetry to contain them all.

"I do not know but thoughts written down thus in a journal might be printed in the same form with greater advantage than if the related ones were brought together into separate essays. They are allied to life, and can be seen by the reader not to be far-fetched; thus, more simple, less artful. I feel that in the other case, I should have a proper form for my sketches. Here facts and names and dates communicate more than we suspect. Whether the flower looks better in the nosegay than in the meadow where it grew, and we had to wet our feet to get it? Is the scholastic air any advantage? Perhaps I can never find so good a setting for thoughts as I shall thus have taken them out of. The crystal never sparkles more brightly than in the cavern. The world have always liked best the fable with the moral. The children could read the fable alone. The grown-up read both. The truth so told has the best advantages of the most abstract statement, for it is not the less universally applicable. Where else will you ever find the true cement for your thoughts? How will you ever rivet them together without leaving the marks of your file?

"Yet Plutarch did not so. Montaigne did not so. Men have written travels in this form; but perhaps no man's daily life has been rich enough to be journalized. Yet one's life should be so active and progressive as to be a journey. But I am afraid to travel much, or to famous places, lest it might completely dissipate the mind. Then I am sure that what we observe at home, if we observe anything, is of more importance than what we observe abroad. The far-fetched is of least value. What we observe in travelling are to some extent the accidents of the body; but what we observe when sitting at home are in the same proportion phenomena of the mind itself. A wakeful night will yield as much thought as a long journey. If I try thoughts by their quality, not their quantity, I may find that a restless night will yield more than the longest journey."

These masterpieces, Thoreau's Diaries, are a choice mingling of physical and metaphysical elements. They show the art above art which was busied about their composition. They come near fulfilling the highest ends of expression; the things seen become parts of the describer's mind, and speak through his Person. Quick with thought, his sentences are colored and consolidated therein by his plastic genius.


Of gifts, there seems none more becoming to offer a friend than a beautiful book, books of verse especially. How exquisite these verses of Crashaw's, "Addressed to a Lady with a Prayer Book."

"Lo, here a little volume, but great book,

Fear it not, sweet,