Apart they sit, the better know,

Why towns and talk sway men below.

Freedom from affairs, and leisure to entertain his thoughts, is the scholar's paradise. Hardly less the delight in comparing notes with another in conversation. It is the chiefest of satisfactions this last, where sympathy is possible and perfect. One does not see his thought distinctly till it is reflected in the image of another's. Personal perspective gives the distance necessary to bring out its significance. "There are some," says Thoreau, "whose ears help me so much that my things have a rare significance when I read to them. It is almost too good a hearing, so that, for the time, I regard my writing from too favorable a point of view." Yet the criticism of admiration is far more acceptable and the more likely to be just than that of censure. Much learning does not make an accomplished critic; taste, sensibility, sympathy, ideality, are indispensable. A man of talent may apprehend and judge fairly of works of his class. But genius alone comprehends and appreciates truly the works of genius.

Nor are all moods equally favorable for criticism. "It may be owing to my mood at the time," says Goethe, "but it seems to me, that as well in treating of writings as of actions, unless one speak with a loving sympathy, a certain enthusiasm, the result is so defective as to have little value. Pleasure, delight, sympathy in things, is all that is real; and that reproduces reality in us; all else is empty and vain." One must seize the traits as they rise with the tender touch, else they elude and dissolve in the moment; pass into the obscurity out of which they emerged, and are lost forever. Much depends upon this, that one make the most of his time, and miss no propitious moods.

Rarely does one win a success with either tongue or pen. Of the books printed, scarcely never the volume entire justifies its appearance in type. Much is void of deep and permanent significance, touches nothing in one's experience, and fails to command attention. Even subjects of gravest quality, unless treated suggestively, find no place in a permanent literature. It is not enough that the thing is literally defined, stated logically; it needs to be complemented ideally,—set forth in lucid imagery to tell the story to the end. Style carries weight oftentimes when seemingly light itself. Movement is necessary, while the logic is unapparent,—all the more profound and edifying as it appeals to and speaks from the deeper instincts, and so makes claims upon the reader's mind. That is good which stands strong in its own strength, detached from local relations. So a book of thoughts suggests thought, edifies, inspires. Whatever interests at successive readings has life in it, and deserves type and paper.

My code of composition stands thus, and this is my advice to whom it may concern:—

Burn every scrap that stands not the test of all moods of criticism. Such lack longevity. What is left gains immensely. Such is the law. Very little of what is thought admirable at the writing holds good over night. Sleep on your writing; take a walk over it; scrutinize it of a morning; review it of an afternoon; digest it after a meal; let it sleep in your drawer a twelvemonth; never venture a whisper about it to your friend, if he be an author especially. You may read selections to sensible women,—if young the better; and if it stand these trials, you may offer it to a publisher, and think yourself fortunate if he refuse to print it. Then you may be sure you have written a book worthy of type, and wait with assurance for a publisher and reader thirty years hence,—that is, when you are engaged in authorship that needs neither type nor publisher.

"Learning," says Fuller, "hath gained most by those books by which the printers have lost." It must be an enlightened public that asks for works the most enlightened publishers decline printing. A magazine were ruined already if it reflected its fears only. Yet one cannot expect the trade to venture reputation or money in spreading unpopular views.

Ben Jonson wrote to his bookseller:—

"Thou that mak'st gain thy end, and wisely well