[RURAL AFFAIRS]

Monday, 3.

Fair spring days, the farmers beginning the planting of the season's crops. One cannot well forego the pleasures which the culture of a garden affords. He must have a little spot upon which to bestow his affections, and own his affinities with earth and sky. The profits in a pecuniary way may be inconsiderable, but the pleasures are rewarding. Formerly I allowed neither hoe, spade, nor rake, not handled by myself, to approach my plants. But when one has put his garden within covers, to be handled in a book, he fancies he has earned the privilege of delegating the tillage thereafter, in part, to other hands, and may please himself with its superintendence; especially when he is so fortunate as to secure the services of any who can take their orders without debate, and execute them with dispatch; and if he care to compare opinions with them, find they have views of their own, and respect for his. And the more agreeable if they have a pleasant humor and the piety of lively spirits.

"In laborer's ballads oft more piety

God finds than in Te Deum's melody."

"When our ancestors," says Cato, "praised a good man, they called him a good agriculturist and a good husbandman; he was thought to be greatly honored who was thus praised."

Without his plot of ground for tillage and ornamentation, a countryman seems out of place, its culture and keeping being the best occupation for keeping himself wholesome and sweet. The garden is the tie uniting man and nature. How civic an orchard shows in a clearing,—a garden in a prairie, as if nature waited for man to arrive and complete her, by converting the wild into the human, and thus to marry beauty and utility on the spot! A house, too, without garden or orchard, is unfurnished, incomplete, does not fulfil our ideas of the homestead, but stands isolate, defiant in its individualism, with a savage, slovenly air, and distance, that lacks softening and blending with the surrounding landscape. Besides, it were tantalizing to note the natural advantages of one's grounds, and at the same time be unskilful to complete what nature has sketched for the hand of art to adorn and idealize. With a little skill, good taste, and small outlay of time and pains, one may render any spot a pretty paradise of beauty and comfort,—if these are not one in due combination, and not for himself only, but for those who shall inherit when he shall have left it. The rightful ownership in the landscape is born of one's genius, partakes of his essence thus wrought with the substance of the soil, the structures which he erects thereon. Whoever enriches and adorns the smallest spot, lives not in vain. For him the poet sings, the moralist points his choicest periods.

I know of nothing better suited to inspire a taste for rural affairs than a Gardener's Almanac, containing matters good to be known by country people. All the more attractive the volume if tastefully illustrated, and contain reprints of select pastoral verses, biographies, with portraits of those who have written on country affairs, and lists of their works. The old herbals, too, with all their absurdities, are still tempting books, and contain much information important for the countryman to possess.[3]