And a connoisseur came and looked at the picture. To him it spoke of holiest things; he thought it a Madonna:—
So I painted a halo round her hair,
And I sold her and took my fee;
And she hangs in the church of St. Hilaire,
Where you and all may see.
"It Crowns with the Golden Crown"
Sometimes as we have looked at the face of one whose training was not complete we have seen as the artist saw: we have seen her "as she might have been if the worst had been the best." There was no halo round her hair, only its travesty—something that told of crowned and glorified sin; and yet we could catch more than a glimpse of the perfect "might have been." So we say, let blame fall lightly on the one who least deserves it. Perhaps if our ears were not so full of the sounds of the world, we should hear a tenderer judgment pronounced than man's is likely to be: "Unto the damsel thou shalt do nothing. . . . For there was none to save her."
Our work at Dohnavur is entirely among the little children who are innocent of wrong. We rarely touch these lives which have been stained and spoiled; but we could not forbear to write a word of clear explanation about them, lest any should mistake the matter and confuse things that differ.
We leave the subject with relief. Few who have followed us so far know how much it has cost to lead the way into these polluted places. Not that we would make much of any personal cost; but that we would have it known that nothing save a pressure which could not be resisted could force us to touch pitch. And yet why should we shrink from it when the purpose which compels is the saving of the children? Brave words written by a brave woman come and help us to do it:—
"This I say emphatically, that the evil which we have grappled with to save one of our own dear ones does not sully. It is the evil that we read about in novels and newspapers for our own amusement; it is the evil we weakly give way to in our lives; above all, it is the destroying evil that we have refused so much as to know about in our absorbing care for our own alabaster skin; it is that evil which defiles a woman. But the evil that we have grappled with in a life and death struggle to save a soul for whom Christ died does not sully; it clothes from head to foot with the white robe, it crowns with the golden crown."
There remains only one thing more to show. It was evening in an Indian town at a time of festival. The great pillared courts of the Temple were filled with worshippers and pilgrims from all over the Tamil country and from as far north as Benares. Men who eagerly grasped at anything printed in Sanscrit and knew nothing of our vernacular were scattered in little groups among the crowd, and we had freedom to go to them and give them what we could, and talk to the many others who would listen. Outside the moonlight was shining on the dark pile of the Temple tower, and upon the palms planted along the wall, which rises in its solid strength 30 feet high and encloses the whole Temple precincts. There were very few people out in the moonlight. It was too quiet there for them, too pure in its silvery whiteness. Inside the hall, with its great-doored rooms and recesses, there were earth-lights in abundance, flaring torches, smoking lamps and lanterns. And there was noise—the noise of words and of wailing Indian music. For up near the closed doors which open on the shrine within which the idol sat surrounded by a thousand lights, there was a band of musicians playing upon stringed instruments; sometimes they broke out excitedly and banged their drums and made their conch-shells blare.