Poor old mother! All lies are allowed where such things are concerned. We knew the proposed bridegroom came from a place three hundred miles distant, and the idea was to carry the poor girl off by force, as soon as she was "tied." We have been praying night and day to God to hinder this. And He is hindering! But there is need to go on. That mother is a devotee. She has received the afflatus. Sometimes at night it falls upon her, and she dances the wild, wicked dance, and tries to seize the girl, who shrinks into the farthest corner of the little house; and she dances round her, and chants the chant which even in daylight has power in it, but which at night appeals unspeakably. Once the girl almost gave way, and then in her desperation, hardly knowing the sin of it, ran to the place where poison was kept, drank enough to kill two, straight off, then lay down on the floor to die. Better die than do what they wanted her to do, she thought. But they found out what she had done, and drastic means were immediately used, and the poison only made her ill, and caused her days of violent pain. So there is need for the hindering prayer. Lord, teach us how to pray!
Is India crammed with the horrible? "Picturesque," they call it, who have "done it" in a month or two, and written a book to describe it. And the most picturesque part, they agree, is connected with the temples.
India ends off in a pointed rock; you can stand at the very point of the rock, with only ocean before you, and almost all Asia behind. A temple is set at the end of the point, as if claiming the land for its own. We took our convert boys and girls to the Cape for the Christmas holidays, and one morning some of us spent an hour under an old wall near the temple, which wall, being full of hermit crabs, is very interesting. We were watching the entertaining ways of these degenerate creatures when, through the soft sea sounds, we heard the sound of a Brahman's voice, and looking up, saw this:
A little group of five, sitting between the rocks and the sea, giving a touch of life to the scene, and making the picture perfect. There were two men, a woman, a child, and the priest. They were all marked with the V-shaped Vishnu mark. The priest twined the sacred Kusa grass round the fingers of his right hand, and gave each a handful of grass, and they did as he had done. Then they strewed the grass on the sand, to purify it from taint of earth, and then they began. The priest chanted names of God, then stopped, and drew signs on the sand. They followed him exactly. Then they bathed, bowing to the East between each dip, and worshipping; then returned and repeated it all. But before repeating it, they carefully painted the marks on their foreheads, using white and red pigment, and consulting a small English hand mirror—the one incongruous bit of West in this East, but symbolical of the times. The child followed it all, as a child will, in its pretty way. She was a dainty little thing in a crimson seeley and many gold jewels. The elder woman was dressed in dark green; the colouring was a joy to the eye, crimson and green, and the brown of the rock, against the blue of the sea.
It was one of those exquisite mornings we often have in the Tropics, when everything everywhere shows you God; shines the word out like a word illumined; sings it out in the Universe Song; and here in this South niche of Nature's cathedral, under the sky's transparency, these five, in the only way they knew, acknowledged the Presence of one great God, and worshipped Him. There was nothing revolting here, no hint of repulsive idolatry. They worshipped the Unseen. Very stately the Sanscrit sounded in which they chanted their adoration. "King of Immensity! King of Eternity! Boundless, Endless, Infinite One!" It might have been the echo of some ancient Christian hymn. It might have been, but it was not.
They are not worshipping God the Lord. They might be, but they are not. Whose is the responsibility? Is it partly yours and mine? The beauty of the scene has passed from us; the blue of the blue sky is blotted out—
"Only like souls I see the folk thereunder,
Bound who should conquer, slaves who should be kings;
Hearing their one hope with an empty wonder,
Sadly contented with a show of things.
Then with a rush the intolerable craving
Shivers throughout me like a trumpet call:
Oh to save these! To perish for their saving,
Die for their life, be offered for them all!"
The picture is made of souls—souls to be saved. "Oh to save these! To perish for their saving!" That is what the picture says. Picture! There is no picture. In the place where it was, there is simply a pain—God's world, and God dishonoured in it! Oh to see these people as souls! Refined or vulgar, beautiful or horrible, or just dull, oh to see them "only as souls," and to yearn over them, and pray for them as souls who must live eternally somewhere, and for whom each of us, in our measure, is responsible to God. Do you say we are not responsible for those particular souls? Who said that sort of thing first? "Where we disavow being keeper to our brother we're his Cain." If we are not responsible, why do we take the responsibility of appealing to them in impassioned poetry?
"Let every kindred, every tribe,
On this terrestrial ball,
To Him all majesty ascribe,
And crown Him Lord of all!"
What is the point of telling people to do a certain thing if we have no concern in whether they do it or not? The angels and the martyrs and the saints, to whom we appealed before, have crowned Him long ago. Our singing to them on the subject will make no difference either way; but when we turn to every kindred and tribe, the case alters. How can they crown Him Lord of all when they do not know about Him? Why do they not know about Him? Because we have not told them. It is true that many whom we have told heard "their one hope with an empty wonder"; but, on the other hand, it is true that the everlasting song rises fuller to-day because of those who, out in this dark heathendom, heard, and responded, and crowned Him King.