Madge opened the trunk in the half light. On top of everything was a pile of her first baby dresses. Farther down she came upon a sandalwood box containing her mother's jewelry. The box contained a beautiful and unusual collection of rare stones. Captain Morton had brought many of the jewels back from the Orient as presents to his wife.
Madge picked up a necklace of uncut turquoises, set in links of curiously carved dull gold. For an instant she looked at it, then slipped it over her head. There was also a tortoise-shell comb of wonderful beauty to match the necklace. The crown of the comb was formed of turquoises and pearls. Just in the center of the comb was a tiny scarab made of turquoises. The scarab Madge knew to be a beetle sacred to the Egyptians. She wondered if the beautiful set of jewelry had an unusual history. Madge put the comb in her hair, then plunged deeper into the lavender-scented trunk. Under a pile of old-fashioned gowns she found the bundle that she desired, tied up in yellow muslin just as her aunt had described it. Tucking it under her arm she hurried to the front windows and sat down Turk fashion on the floor. She wished to examine carefully the well-remembered silks. It had been several years since she had seen them, yet how well she recalled them! She and Nellie had never grown tired of marveling at the beautiful fabrics when, as little girls, they were allowed to glance at the silks by way of a special treat.
The young girl untied her precious bundle slowly. She gently unrolled the pink silk. It was a wonderful rose color, a pure Chinese silk, as light and soft as a butterfly's wing. Madge saw a vision of Nellie in this dress. It must be trimmed with an old collar of Venetian point lace, which was one of Mrs. Butler's heirlooms. Then she unrolled the blue silk. The material to be used for her frock was a Japanese crepe. It had a border of shaded blue and silver threads forming a design of orchids. It was too beautiful a costume for a young girl, Madge thought. She held her breath as she looked at it. Would her aunt allow her to use it?
Spying a broken mirror on an old bureau in the attic, she brought it over to the light and propped it against the back of a worn-out chair. Then she wrapped the blue silk about her shoulders and stared at herself in the mirror.
Madge was an exceedingly pretty young girl. This afternoon her face showed a promise of the unusual beauty that was to come to her later in life, when she had learned many things. There was a hint of tragedy in her charming, wayward nature. The friends who loved her knew that her path through life would not follow an easy and untroubled road. She could never do anything in a half-way fashion, whether it were to love or to hate, to be happy or to be miserable.
To-day her blue eyes were dark with wonder at her own appearance and with the memory of her dead mother and father. With the strange jewels in her hair and about her throat, the beautiful blue robe around her shoulders, little country-bred Madge looked as though she might have been a beautiful princess of the long ago.
Being free from vanity, however, she calmly folded up her silks, took off her jewels, and turned from the window to go downstairs to show her cousin her treasures.
At the door of the attic she paused and glanced back at the open trunk, then, walking slowly toward it, deposited her jewel box and armful of silks on the top of the old cedar chest and sat down before the trunk. What strange influence drew her back to it that day Madge could never explain. She knew only that the longing for the love of the father she had never seen, and the mother she could not remember, was strong within her.
"What made you leave me when I needed you so?" she murmured, half under her breath. Then she bowed her head on the edge of the trunk and her tears dropped on a little, old-fashioned black velvet coat that had been her mother's. Impulsively Madge caught it up and pressed it to her lips. After a long moment she laid it across her lap and began smoothing it with loving hands, tenderly tracing its lines with her forefinger. As she was about to fold it and lay it in its accustomed place her hand came in contact with something hard in the cuff of one sleeve between the velvet and the satin lining.
"What can it be?" she wondered, as she fingered it through the cloth. "It feels like a key. If I break two or three stitches, I can pull it out."