"I understand. There come two of those funny squeaking cow-carts. What a noise they make. I am glad it is the haying season, for I think those carts piled up with hay and led by a tall man or a peasant woman carrying a long pole across the shoulders are such picturesque things."
"Everything is picturesque," agreed Mary Lee. "I love those dear little soft-nosed burros, only I wish the people treated them better. I saw a girl on one this morning. She was making it go very fast, and I wondered why it was going at such a gait till I saw she was sticking a long pin into it every few steps."
"They are cruel to the donkeys," acknowledged Nan, "but I think they are very good to the other animals. The poor burros get the worst of it, and seem to be creatures made only for ridicule and abuse. Oh, Mary Lee, I do believe that is a band of gipsies coming, real Spanish gipsies. Aren't they interesting? I suppose they are coming for the fiesta. Look at those two children with scarcely a rag on. Did you ever see such wild-looking, impish little things? And the man with the velveteen coat and red sash, do see his big sombrero. I hope we shall see them again." She turned from the window to greet Mercedes who came in to bid them come down to the patio to practice the jota.
Her pretty peasant dress was all ready for the morning, for it was quite the thing for others than the mere peasants to adopt the local dress on such occasions. She would wear a short red skirt with bands of black velvet around it, and smocked at the belt. Her brocade bodice trimmed with jet would partly cover her white chemisette. Around her neck she would wear a long chain with a handsome old reliquary attached to it. Very long filagree earrings would be fastened upon her ears, and upon her head she would wear a gay silk handkerchief tied in a peculiar way. A fancy apron of yellow silk completed the costume. Miss Dolores had consented to wear a manta de Manila or soft shawl wound gracefully around her, and in her hair a red clavel.
"You, too, must wear a clavel," said Mercedes, "for you are to dance the jota, and if you will, you can also wear mantas de Manila. You shall have Antonio for a partner and when not him, I will dance with you."
The little village where the fiesta was to take place was but a short distance away. The entire Cabrales family, which included Doña Teresa, her son Antonio, Mercedes and the two younger daughters, Maria Isabel and Consuelo, went with their guests, so theirs was quite a large party which arrived in front of the old church in time to hear the rocket-bombs, and to see the great ramas, or pyramids of bread, carried inside. Then all entered the ancient, low-arched edifice, where glimmering candles at the altar gave the only light. Upon the bare floor were many kneeling figures of women wearing black mantillas. The men occupied the gallery above the rear of the church, or stood at the back near the door.
"Isn't it solemn?" whispered Nan to her sister.
Just then with the chanting of the priests was mingled the song of a canary, then another chirped up, and a third joined in, so that all through the service the little songsters did their part.
"You will see the danza prima here," Miss Dolores had told them. "It is the most ancient and primitive of the Spanish religious dances. It can hardly be called a dance, in fact. And the ramas? They are huge pyramids on which are hung circular loaves of bread, and which are adorned with flowers and branches of green; that is why they are called ramas. They indicate the fruits of the harvest."