Berlin, 1882.

CONTENTS.
[IN TAUSIG'S CONSERVATORY.]
[CHAPTER I.]
PAGE.
A German Interior in Berlin. A German Party. Joachim.
Tausig's Conservatory.
[13]
[CHAPTER II.]
Clara Schumann and Joachim. The American Minister's. The
Museum. The Conservatory. Opera. Tausig. Christmas.
[25]
[CHAPTER III.]
Tausig and Rubinstein. Tausig's Pupils. The Bancrofts. A
German Radical.
[37]
[CHAPTER IV.]
Opera and Oratorio in Berlin. A Typical American. Prussian
Rudeness. Conservatory Changes. Easter.
[51]
[CHAPTER V.]
The Thier-Garten. A Military Review. Charlottenburg.
Tausig. Berlin in Summer. Potsdam and Babelsberg.
[64]
[CHAPTER VI.]
The War. German Meals. Women and Men. Tausig's Teaching.
Tausig Abandons his Conservatory. Dresden. Kullak.
[79]
[WITH KULLAK.]
[CHAPTER VII.]
Moving. German Houses and Dinners. The War. Capture of
Napoleon. Kullak's and Tausig's Teaching. Joachim. Wagner.
Tausig's Playing. German Etiquette.
[95]
[CHAPTER VIII.]
Concerts. Joachim again. The Siege of Paris. Peace Declared.
Wagner. A Woman's Symphony. Ovation to Wagner in
Berlin.
[111]
[CHAPTER IX.]
Difficulties of the Piano. Triumphal Entry of the Troops.
Paris.
[123]
[CHAPTER X.]
A Rhine Journey. Frankfort. Mainz. Sail down the Rhine.
Cologne. Bonn. The Seven Mountains. Worms. Spire.
Heidelberg. Tausig's Death.
[131]
[CHAPTER XI.]
Eisenach. Gotha. Erfurt. Andernach. Weimar. Tausig.[145]
[CHAPTER XII.]
Dinner-Party and Reception at Mr. Bancroft's. Audition at
Tausig's House. A German Christmas. The Joachims.
[157]
[CHAPTER XIII.]
Visit to Dresden. The Wiecks. Von Bülow. A Child Prodigy.
Grantzow, the Dancer.
[163]
[CHAPTER XIV.]
A Rising Organist. Kullak. Von Bülow's Playing. A Princely
Funeral. Wilhelmi's Concert. A Court Beauty.
[174]
[CHAPTER XV.]
The Boston Fire. Aggravations of Music Study. Kullak.
Sherwood. Hoch Schule. A Brilliant American. German
Dancing.
[182]
[CHAPTER XVI.]
A German Professor. Sherwood. The Baroness von S. Von
Bülow. A German Party. Joachim. The Baroness at Home.
[192]
[WITH LISZT.]
[CHAPTER XVII.]
Arrives in Weimar. Liszt at the Theatre.—At a Party. At
his own House.
[205]
[CHAPTER XVIII.]
Liszt's Drawing-room. An Artist's Walking Party. Liszt's
Teaching.
[218]
[CHAPTER XIX.]
Liszt's Expression in Playing. Liszt on Conservatories. Ordeal
of Liszt's Lessons. Liszt's Kindness.
[227]
[CHAPTER XX.]
Liszt's Compositions. His Playing and Teaching of Beethoven.
His "Effects" in Piano-playing. Excursion to Jena. A
New Music Master.
[235]
[CHAPTER XXI.]
Liszt's Playing. Tausig. Excursion to Sondershausen.[248]
[CHAPTER XXII.]
Farewell to Liszt! German Conservatories and their Methods.
Berlin again. Liszt and Joachim.
[263]
[CHAPTER XXIII.]
Kullak as a Teacher. The Four Great Virtuosi, Clara Schumann,
Rubinstein, Von Bülow and Tausig.
[272]
[WITH DEPPE.]
[CHAPTER XXIV.]
Gives up Kullak for Deppe. Deppe's Method in Touch and in
Scale-playing. Fräulein Steiniger. Pedal Study.
[283]
[CHAPTER XXV.]
Chord-playing. Deppe no mere "Pedagogue." Sherwood.
Mozart's Concertos. Practicing Slowly. The Opera Ball.
[299]
[CHAPTER XXVI.]
A Set of Beethoven Variations. Fannie Warburg. Deppe's
Inventions. His Room. His Afternoon Coffee. Pyrmont.
[311]
[CHAPTER XXVII.]
The Brussels Conservatoire. Steiniger. Excursion to Kleinberg.
Giving a Concert. Fräulein Timm.
[328]
[CHAPTER XXVIII.]
Music in Hamburg. Studying Chamber Music. Absence of Religion
in Germany. South Americans. Deppe Once More.
A Concert Debut. Postscript.
[331]

IN TAUSIG'S CONSERVATORY.

MUSIC-STUDY IN GERMANY.

CHAPTER I.

A German Interior in Berlin. A German Party. Joachim.
Tausig's Conservatory.