V
St. Helena, May, 1821
Tap! Tap! Tap!
Through the white tropic night.
Tap! Tap!
Beat the hammers,
Unwearied, indefatigable.
They are hanging dull black cloth about the dead.
Lustreless black cloth
Which chokes the radiance of the moonlight
And puts out the little moving shadows of leaves.
Tap! Tap!
The knocking makes the candles quaver,
And the long black hangings waver
Tap! Tap! Tap!
Tap! Tap!
In the ears which do not heed.
Tap! Tap!
Above the eyelids which do not flicker.
Tap! Tap!
Over the hands which do not stir.
Chiselled like a cameo of white agate against the hangings,
Struck to brilliance by the falling moonlight,
A face!
Sharp as a frozen flame,
Beautiful as an altar lamp of silver,
And still. Perfectly still.
In the next room, the men chatter
As they eat their midnight lunches.
A knife hits against a platter.
But the figure on the bed
Between the stifling black hangings
Is cold and motionless,
Played over by the moonlight from the windows
And the indistinct shadows of leaves.
Tap! Tap!
Upholsterer Darling has a fine shop in Jamestown.
Tap! Tap!
Andrew Darling has ridden hard from Longwood to see to the work in his shop
in Jamestown.
He has a corps of men in it, toiling and swearing,
Knocking, and measuring, and planing, and squaring,
Working from a chart with figures,
Comparing with their rules,
Setting this and that part together with their tools.
Tap! Tap! Tap!
Haste indeed!
So great is the need
That carpenters have been taken from the new church,
Joiners have been called from shaping pews and lecterns
To work of greater urgency.
Coffins!
Coffins is what they are making this bright Summer morning.
Coffins—and all to measurement.
There is a tin coffin,
A deal coffin,
A lead coffin,
And Captain Bennett's best mahogany dining-table
Has been sawed up for the grand outer coffin.
Tap! Tap! Tap!
Sunshine outside in the square,
But inside, only hollow coffins and the tapping upon them.
The men whistle,
And the coffins grow under their hammers
In the darkness of the shop.
Tap! Tap! Tap!
Tramp of men.
Steady tramp of men.
Slit-eyed Chinese with long pigtails
Bearing oblong things upon their shoulders
March slowly along the road to Longwood.
Their feet fall softly in the dust of the road;
Sometimes they call gutturally to each other and stop to shift shoulders.
Four coffins for the little dead man,
Four fine coffins,
And one of them Captain Bennett's dining-table!
And sixteen splendid Chinamen, all strong and able
And of assured neutrality.
Ah! George of England, Lord Bathhurst & Co.
Your princely munificence makes one's heart glow.
Huzza! Huzza! For the Lion of England!
Tap! Tap! Tap!
Marble likeness of an Emperor,
Dead man, who burst your heart against a world too narrow,
The hammers drum you to your last throne
Which always you shall hold alone.
Tap! Tap!
The glory of your past is faded as a sunset fire,
Your day lingers only like the tones of a wind-lyre
In a twilit room.
Here is the emptiness of your dream
Scattered about you.
Coins of yesterday,
Double napoleons stamped with Consul or Emperor,
Strange as those of Herculaneum—
And you just dead!
Not one spool of thread
Will these buy in any market-place.
Lay them over him,
They are the baubles of a crown of mist
Worn in a vision and melted away at waking.
Tap! Tap!
His heart strained at kingdoms
And now it is content with a silver dish.
Strange World! Strange Wayfarer!
Strange Destiny!
Lower it gently beside him and let it lie.
Tap! Tap! Tap!
Two Travellers in the Place Vendome
Reign of Louis Philippe
A great tall column spearing at the sky
With a little man on top. Goodness! Tell me why?
He looks a silly thing enough to stand up there so high.
What a strange fellow, like a soldier in a play,
Tight-fitting coat with the tails cut away,
High-crowned hat which the brims overlay.
Two-horned hat makes an outline like a bow.
Must have a sword, I can see the light glow
Between a dark line and his leg. Vertigo
I get gazing up at him, a pygmy flashed with sun.
A weathercock or scarecrow or both things in one?
As bright as a jewelled crown hung above a throne.
Say, what is the use of him if he doesn't turn?
Just put up to glitter there, like a torch to burn,
A sort of sacrificial show in a lofty urn?
But why a little soldier in an obsolete dress?
I'd rather see a Goddess with a spear, I confess.
Something allegorical and fine. Why, yes—
I cannot take my eyes from him. I don't know why at all.
I've looked so long the whole thing swims. I feel he ought to fall.
Foreshortened there among the clouds he's pitifully small.
What do you say? There used to be an Emperor standing there,
With flowing robes and laurel crown. Really? Yet I declare
Those spiral battles round the shaft don't seem just his affair.
A togaed, laurelled man's I mean. Now this chap seems to feel
As though he owned those soldiers. Whew! How he makes one reel,
Swinging round above his circling armies in a wheel.
Sweeping round the sky in an orbit like the sun's,
Flashing sparks like cannon-balls from his own long guns.
Perhaps my sight is tired, but that figure simply stuns.
How low the houses seem, and all the people are mere flies.
That fellow pokes his hat up till it scratches on the skies.
Impudent! Audacious! But, by Jove, he blinds the eyes!