The master, when he came, was as astonished as the men. He could scarcely believe his eyes when he saw a second self drawn upon the wall, more like than his own shadow. This indeed must be no common man; and he ordered that Filippo's chains should be immediately struck off, and that he should be treated with respect and honour.
Nothing now was too good for this man of magic, and before long Filippo was put on board a ship and carried safely back to Italy. They put him ashore at Naples, and for some little time Filippo stayed there painting pictures for the king; but his heart was in his own beloved town, and very soon he returned to Florence.
Perhaps he did not deserve a welcome, but every one was only too delighted to think that the runaway had really returned. Even the prior, though he shook his head, was glad to welcome back the brother whose painting had already brought fame and honour to the convent.
But in spite of all the troubles Filippo had gone through, he still dearly loved the merry world and all its pleasures. For a long time he would paint his saints and angels with all due diligence, and then he would dash down brushes and pencils, leave his paints scattered around, and of he would go for a holiday. Then the work would come to a stand-still, and people must just wait until Filippo should feel inclined to begin again.
The great Cosimo de Medici, who was always the friend of painters, desired above all things that Fra Filippo should paint a picture for him. And what is more, having heard so many tales about the idle ways of this same brother, he was determined that the picture should be painted without any interruptions.
'Fra Filippo shall take no holidays while at work for me,' he said, as he talked the matter over with the prior.
'That may not be so easy as thou thinkest,' said the prior, for he knew Filippo better than did this great Cosimo.
But Cosimo did not see any difficulty in the matter whatever. High in his palace he prepared a room for the painter, and placed there everything he could need. No comfort was lacking, and when Filippo came he was treated as an honoured guest, except for one thing. Whenever the heavy door of his room swung to, there was a grating sound heard, and the key in the lock was turned from outside. So Filippo was really a captive in his handsome prison.
That was all very well for a few days. Filippo laughed as he painted away, and laid on the tender blue of the Virgin's robe, and painted into her eyes the solemn look which he had so often seen on the face of some poor peasant woman as she knelt at prayer. But after a while he grew restless and weary of his work.
'Plague take this great man and his fine manners,' he cried. 'Does he think he can catch a lark and train it to sing in a cage at his bidding? I am weary of saints and angels. I must out to breathe the fresh sweet air of heaven.'