Down she sits, and, opening her hands, she sheds her flowery harvest all over her. She is all fragrant with blossoms, and in a moment the butterflies come fluttering round her. She picks and chooses and matches her flowers; she weaves them into garlands and wreaths, and hangs flower-bells in her ears; she is decked out now like the rustic image of a Holy Virgin the shepherds venerate. Her little brother Jean, who has been busy all this while driving a team of imaginary horses, sees her in all this bravery. Instantly he is filled with admiration. A religious awe penetrates all his childish soul. He stops, and the whip falls from his fingers. He feels that she is beautiful and all smothered in lovely flowers. He tries in vain to say all this in his soft, indistinct speech. But she has guessed. Little Catherine is his big sister, and a big sister is a little mother; she foresees, she guesses; she has the sacred instinct.
“Yes, darling,” cries Catherine, “I am going to make you a beautiful wreath, and you will look like a little king.”
And so she twines together the white flowers, the yellow flowers, and the red flowers, into a chaplet. She puts it on little Jean’s head, and he flushes with pride and pleasure. She kisses her little brother, lifts him in her arms and plants him, all garlanded with blossoms, on a big stone. Then she looks at him admiringly, because he is beautiful and she has made him so.
And standing there on his rustic pedestal, little Jean knows he is beautiful, and the thought fills him with a deep respect for himself. He feels he is something holy. Very upright and still, with round eyes and tight-drawn lips, arms by his side with the palms open and the fingers parted like the spokes of a wheel, he tastes a pious joy to be an idol—he is sure he is an idol now. The sky is overhead, the woods and fields lie at his feet. He is the hub of the universe. He alone is great, he alone is beautiful.
But suddenly Catherine breaks into a laugh. She shouts:
“Oh! how funny you look, little Jean! how funny you do look!”
She runs up and throws her arms round him, she kisses him and shakes him; the heavy wreath of flowers slips down over his nose. And she laughs again:
“Oh! how funny he looks! how very funny!”
But it is no laughing matter for little Jean. He is sad and sorry, wondering why it is all over and he has left off being beautiful. It hurts to come down to earth again!
Now the wreath is unwound and tossed on the grass, and little Jean is like anybody else once more. Yes, he has left off being beautiful. But he is still a sturdy young scamp. He soon has his whip in hand again and now he is hauling his team of six, the six big carthorses of his dreams, out of that rut. Catherine is still playing with her flowers. But some of them are dying. Others are closing in sleep. For the flowers go to sleep like the animals, and look! the campanulas, plucked a few hours ago, are shutting their purple bells and sinking asleep in the little hands that have parted them from life.