(3) A much damaged copy. The face is pale and elongated, the expression melancholy and sanctimonious. It is an oval medallion, 1654, without signature, Paris, chez Daret.
(4) The same, chez Louis Boissevin, in the Rue Saint-Jacques.
(5) The same, with this quatrain:
Si sa fidélité parut incomparable
En conservant l'Estat,
Sa prudence aujourd'huy n'est pas moins admirable
D'en augmenter l'éclat.
(6) Medallion. The picture is much disfigured; the inscription:
Qu'il a de probité, de sçavoir et de zelle,
Qu'il paroit généreux, magnanime et prudent,
Que son esprit est fort, que son cœur est fidelle,
Toutes ces qualités l'on fait Surintendant.
(7) Medallion, with drapery. Very bad. Signature: "Baltazar Moncornet, excud."
(8) The same, with a frame of foliage, 1658.
(9) A small copy, reversed, executed after Foucquet's death, the date of which is indicated, 23rd March, 1680. It is old, hard, dark and damaged. Signature: "Nanteuil, pinxit, Gaillard, sculpt."
A portrait of Lebrun deserves honourable mention after that of Nanteuil. The features are practically the same as in the engraving by Eugène Reims; but the expression is not so keen, nor so cheerful. The head, three-quarter profile, is turned to the right. This picture is the original of the three following engravings: