At last the little girl awakens from her silent day-dream. She turns round and shows her violet eyes made bigger still with wonder, her nose which makes you smile to look at it, her tiny nose, quite white, that reminds you of a little pug dog’s black one, her solemn mouth, her shapely but too delicate chin, her cheeks a shade too pale. I recognize her. Oh yes! I recognize her with that instinctive certainty that is stronger than all convictions supported by all the proofs imaginable. Oh yes, ‘tis she, ‘tis indeed she and all that remains of the most charming of women. I try to hasten away but I cannot leave her. That hair of living gold, it is her mother’s hair; those violet eyes, they are her mother’s own; Oh, child of my dreams, child of my despair! I long to gather you to my arms, to steal you, to bear you away.
But a governess draws near, calls the child and leads her away: “Come, Marguerite, come along, it’s time to go home.”
And Marguerite, casting a look of sad farewell at the baby with its outstretched arms, reluctantly follows in the footsteps of a tall woman clad in black with ostrich feathers in her hat.
