Suddenly the monk seized the hand of the actress, and stepping over the drunkards, who had fallen close to the lascivious couples, and treading in the wine and blood spilt upon the floor, he led her out of the house.
The sun had risen over the city. Long colonnades stretched on both sides of the deserted street, and at the end shone the dome of Alexander’s tomb. Here and there on the pavement lay broken wreaths and extinguished torches. Fresh wafts of the sea could be felt in the air. Paphnutius, with a look of disgust, tore off his rich robe and trampled the fragments under his feet.
“Thou hast heard them, my Thais!” he cried. “They have spat forth every sort of folly and abomination. They dragged the Divine Creator of all things down the gemonies(*) of the devils of hell, impudently denied the existence of Good and Evil, blasphemed Jesus, and exalted Judas. And the most infamous of all, the jackal of darkness, the stinking beast, the Arian full of corruption and death, opened his mouth like a yawning sepulchre. My Thais, thou hast seen these filthy snails crawling towards thee and defiling thee with their sticky sweat; thou hast seen others, like brutes, sleeping under the heels of their slaves; thou hast seen them coupling like beasts on the carpet they had fouled with their vomit; thou hast seen a foolish old man shed a blood yet viler than the wine which flowed at his debauch, and at the end of the orgie throw himself in the face of the unforeseen Christ. Praise be to God! Thou hast seen error and recognised how hideous it was. Thais, Thais, Thais, recall to mind the follies of these philosophers, and say if thou wilt go mad with them! Remember the looks, the gestures, the laughs of their fitting companions, those two lascivious and malicious strumpets, and say if thou wilt remain like unto them.”
(*) Steps on the Aventine Hill, leading to the Tiber, to
which the bodies of executed criminals were dragged to be
thrown into the river. The word is now obsolete, but was
employed by Ben Jonson (Sejanus) and Massinger (The Roman
Actor).—TRANS.
Thais, her heart stirred with horror and disgust at all she had seen and heard that night, and feeling the indifference and brutality, the malicious jealousy of women, the heavy weight of useless hours, sighed.
“I am weary to death, O my father! Where shall I find rest? I feel that my face is burning, my head empty, and my arms are so tired that I should not have the strength to seize happiness were it within reach of my hand.”
Paphnutius gazed at her with loving pity.
“Courage, O my sister! The hour of rest rises for thee, white and pure as the vapours thou seest rise from the gardens and waters.”
They were near the house of Thais, and could see, above the wall, the tops of the sycamore and fir trees, which surrounded the Grotto of Nymphs, tremble in the morning breeze. In front of them was a public square, deserted, and surrounded with steles and votive statues, and having at each end a semicircular marble seat, supported by figures of monsters. Thais fell on one of these seats. Then, looking anxiously at the monk, she asked—
“What must I do?”