“That is very nice,” I replied; “and it makes me very happy, Gelis, to find my old reputation thus associated with your own youthful honours. I was very much interested, you know, in that thesis of yours;—but some domestic arrangements have been keeping me so busy lately that I quite forgot this was the day on which you were to sustain it.”
Mademoiselle Jeanne made her appearance very opportunely, as if in order to suggest to him something about the nature of those very domestic arrangements. The giddy girl burst into the City of Books like a fresh breeze, crying at the top of her voice that her room was a perfect little wonder; then she became very red indeed on seeing Monsieur Gelis there. But none of us can escape our destiny.
Monsieur Gelis asked her how she was with the tone of a young fellow who resumes upon a previous acquaintance, and who proposes to put himself forward as an old friend. Oh, never fear!—she had not forgotten him at all; that was very evident from the fact that then and there, right under my nose, they resumed their last year’s conversation on the subject of the “Venetian blond”! They continued the discussion after quite an animated fashion. I began to ask myself what right I had to be in the room at all. The only thing I could do in order to make myself heard was to cough. As for getting in a word, they never even gave me a chance. Gelis discoursed enthusiastically, not only about the Venetian colourists, but also upon all other matters relating to nature or to mankind. And Jeanne kept answering him, “Yes, Monsieur, you are right.”.... “That is just what I supposed, Monsieur.”.... “Monsieur, you express so beautifully just what I feel.”... “I am going to think a great deal about what you have just told me, Monsieur.”
When I speak, Mademoiselle never answers me in that tone. It is only with the very tip of her tongue that she will even taste any intellectual food which I set before her. Usually she will not touch it at all. But Monsieur Gelis seems to be in her opinion the supreme authority upon all subjects. It was always, “Oh, yes!”—“Oh, of course!”—to all his empty chatter. And, then, the eyes of Jeanne! I had never seen them look so large before; I had never before observed in them such fixity of expression; but her gaze otherwise remained what it always is—artless, frank, and brave. Gelis evidently pleased her; she like Gelis, and her eyes betrayed the fact. They would have published it to the entire universe! All very fine, Master Bonnard!—you have been so deeply interested in observing your ward, that you have been forgetting you are her guardian! You began only this morning to exercise that function; and you can already see that it involves some very delicate and difficult duties. Bonnard, you must really try to devise some means of keeping that young man away from her; you really ought.... Eh! how am I to know what I am to do?...
I have picked up a book at random from the nearest shelf; I open it, and I enter respectfully into the middle of a drama of Sophocles. The older I grow, the more I learn to love the two civilisations of the antique world; and now I always keep the poets of Italy and of Greece on a shelf within easy reach of my arm in the City of Books.
Monsieur and Mademoiselle finally condescend to take some notice of me, now that I seem too busy to take any notice of them. I really think that Mademoiselle Jeanne has even asked me what I am reading. No, indeed, I will not tell her what it is. What I am reading, between ourselves, is the change of that smooth and luminous Chorus which rolls out its magnificent tunefulness through a scene of passionate violence—the Chorus of the Old Men of Thebes—‘Erws avixate...’ “Invincible Love, O thou who descendest upon rich houses,—Thou who dost rest upon the delicate cheek of the maiden,—Thou who dost traverse all seas,—surely none among the Immortals can escape Thee, nor indeed any among men who live but for a little space; and he who is possessed by Thee, there is a madness upon him.” And when I had re-read that delicious chant, the face of Antigone appeared before me in all its passionless purity. What images! Gods and goddesses who hover in the highest heights of Heaven! The blind old man, the long-wandering beggar-king, led by Antigone, has now been buried with holy rites; and his daughter, fair as the fairest dream ever conceived by human soul, resists the will of the tyrant and gives pious sepulture to her brother. She loves the son of the tyrant, and that son loves her also. And as she goes on her way to execution, the victim of her own sweet piety, the old men sing, “Invincible Love, O Thou who dost descend upon rich houses,—Thou who dost rest upon the delicate cheek of the maiden.”...
“Mademoiselle Jeanne, are you really very anxious to know what I am reading? I am reading, Mademoiselle—I am reading that Antigone, having buried the blind old man, wove a fair tapestry embroidered with images in the likeness of laughing faces.”
“Ah!” said Gelis, as he burs out laughing “that is not in the text.”
“It is a scholium,” I said.
“Unpublished,” he added, getting up.