“Your heart,” I said, “however arid it be, bears also its white lily; and that is reason enough why I do not believe that you are what you say—a wicked woman.”
“Yes, yes, yes!” she cried, with the obstinacy of a child—“I am a wicked woman. But I am ashamed to appear so before you who are so good—so very, very good.”
“You do not know anything at all about it,” I said to her.
“I know it! I know all about you, Monsieur Bonnard!” she declared, with a smile.
And she jumped back into her lettica.
Girgenti, November 30, 1859.
I awoke the following morning in the House of Gellias. Gellias was a rich citizen of ancient Agrigentum. He was equally celebrated for his generosity and for his wealth; and he endowed his native city with a great number of free inns. Gellias has been dead for thirteen hundred years; and nowadays there is no gratuitous hospitality among civilised peoples. But the name of Gellias has become that of a hotel in which, by reason of fatigue, I was able to obtain one good night’s sleep.
The modern Girgenti lifts its high, narrow, solid streets, dominated by a sombre Spanish cathedral, upon the side of the acropolis of the antique Agrigentum. I can see from my windows, half-way on the hillside towards the sea, the white range of temples partially destroyed. The ruins alone have some aspect of coolness. All the rest is arid. Water and life have forsaken Agrigentine. Water—the divine Nestis of the Agrigentine Empedocles—is so necessary to animated beings that nothing can live far from the rivers and the springs. But the port of Girgenti, situated at a distance of three kilometres from the city, has a great commerce. “And it is in this dismal city,” I said to myself, “upon this precipitous rock, that the manuscript of Clerk Alexander is to be found!” I asked my way to the house of Signor Michel-Angelo Polizzi, and proceeded thither.
I found Signor Polizzi, dressed all in white from head to feet, busy cooking sausages in a frying-pan. At the sight of me, he let go the frying-pan, threw up his arms in the air, and uttered shrieks of enthusiasm. He was a little man whose pimply features, aquiline nose, round eyes, and projecting chin formed a very expressive physiognomy.