“No,” answered Lespardat simply.
Labarthe, who was keen-witted, protested that it was, however, necessary to foresee, to arrange, not to allow oneself to be taken unawares by any contingencies.
“You are certain,” added he, “to be invited to the balls at the prefecture, and you will, of course, dance with Madame Pélisson. Do you know how to dance? Show me how you dance.”
Lespardat rose, and, clasping his chair in his arms, took one turn of a waltz with the deportment of a graceful bear.
Labarthe watched him very gravely through his eyeglass.
“You are heavy, awkward, without that irresistible suppleness which …”
“Mirabeau danced badly,” said Lespardat.
“After all,” said Labarthe, “perhaps it is only that the chair does not inspire you.”
When they were both once more on the damp pavement of the narrow Rue Contrescarpe, they met several girls who were coming and going between the Carrefour Buci and the wine-shops of the Rue Dauphine. As one of these, a thick-set, heavy girl, in a dingy black dress, was passing sadly by under a street lamp with slack gait, Lespardat seized her roughly by the waist, lifted her, and made her take with him two turns of a waltz across the greasy pavement and into the gutter, before she had any idea what was happening.
Recovering from her astonishment, she shrieked the foulest insults at her cavalier, who carried her away with irresistible verve. He himself supplied the orchestra, in a baritone voice, as warm and seductive as military music, and whirled so madly with the girl that, all bespattered with mud and water from the street, they collided with the shafts of prowling cabs and felt on their neck the breath of the horses. After a few turns, she murmured in the young man’s ear, her head sunk on his breast and all her anger gone: