Such were his reflections when suddenly he caught sight of the signboard of the Amour peintre, and a torrent of bitter-sweet emotions swept tumultuously over his heart.
The shop was shut, the sun-blinds of the three windows on the mezzanine floor were drawn right down. As the cart passed in front of the window of the blue chamber, a woman's hand, wearing a silver ring on the ring-finger, pushed aside the edge of the blind and threw towards Gamelin a red carnation which his bound hands prevented him from catching, but which he adored as the token and likeness of those red and fragrant lips that had refreshed his mouth. His eyes filled with bursting tears, and his whole being was still entranced with the glamour of this farewell when he saw the blood-stained knife rise into view in the Place de la Révolution.
XXIX
t was Nivôse. Masses of floating ice encumbered the Seine; the basins in the Tuileries garden, the kennels, the public fountains were frozen. The North wind swept clouds of hoar frost before it in the streets. A white steam breathed from the horses' noses, and the city folk would glance in passing at the thermometer at the opticians' doors. A shop-boy was wiping the fog from the window-panes of the Amour peintre, while curious passers-by threw a look at the prints in vogue,—Robespierre squeezing into a cup a heart like a pumpkin to drink the blood, and ambitious allegorical designs with such titles as the Tigrocracy of Robespierre; it was all hydras, serpents, horrid monsters let loose on France by the tyrant. Other pictures represented the Horrible Conspiracy of Robespierre, Robespierre's Arrest, The Death of Robespierre.
That day, after the midday dinner, Philippe Desmahis walked into the Amour peintre, his portfolio under his arm, and brought the citoyen Jean Blaise a plate he had just finished, a stippled engraving of the Suicide of Robespierre. The artist's picaresque burin had made Robespierre as hideous as possible. The French people were not yet satiated with all the memorials which enshrined the horror and opprobrium felt for the man who was made scapegoat of all the crimes of the Revolution. For all that, the printseller, who knew his public, informed Desmahis that henceforward he was going to give him military subjects to engrave.
"We shall all be wanting victories and conquests,—swords, waving plumes, triumphant generals. Glory is to be the word. I feel it in me; my heart beats high to hear the exploits of our valiant armies. And when I have a feeling, it is seldom all the world doesn't have the same feeling at the same time. What we want is warriors and women, Mars and Venus."
"Citoyen Blaise, I have still two or three drawings of Gamelin's by me, which you gave me to engrave. Is it urgent?"
"Not a bit."