"Why, yes, it is I. Kiss me, mother."
The citoyenne Gamelin pressed her daughter to her bosom, and dropped a tear on the collar of the box-coat. Then she began again in an anxious voice:
"You, in Paris!..."
"Ah! mother, but why did I not come alone! For myself, they will never know me in this dress."
It was a fact the box-coat sufficiently disguised her shape, and she did not look very different from a great many very young men, who, like her, wore their hair long and parted in two masses on the forehead. Her features, which were delicately cut and charming, but burnt by the sun, drawn with fatigue, worn with anxiety, had a bold, masculine expression. She was slim, with long straight limbs and an easy carriage; only the clear treble of her voice could have betrayed her sex.
Her mother asked her if she was hungry. She said she would be glad of something to eat, and when bread, wine and ham had been set before her, she fell to, one elbow on the table, with a pretty gluttony, like Ceres in the hut of the old woman Baubo.
Then, the glass still at her lips:
"Mother," she asked, "do you know when my brother will be back? I have come to speak to him."
The good woman looked at her daughter in embarrassment and said nothing.
"I must see him. My husband was arrested this morning and taken to the Luxembourg."