CHAPTER VIII
THE MAID AT POITIERS (continued)
BELIEF, common to learned and ignorant alike, ascribed special virtues to the state of virginity. Such ideas had been handed down from a remote antiquity; their origin was pre-Christian; they were an immemorial inheritance, one part of which came from the Gauls and Germans, the other from the Romans and Greeks. In the land of Gaul there still lingered a memory of the sacred beauty of the white priestesses of the forest; and sometimes in the Island of Sein, along the misty shores of the Ocean, there wandered the shades of those nine sisters at whose bidding, in days of yore, the tempest raged and was stilled.
According to these beliefs, which had dawned in the childhood of races, the gift of prophecy is bestowed on virgins alone. It is the heritage of a Cassandra or a Velleda. It was said that Sibyls had prophesied the coming of Jesus Christ. In the Church they were considered the first witnesses of Christ among the Gentiles, and they were venerated as the august sisters of the prophets of Israel. The Dies Iræ mentions one of them in the same breath with King David himself. By what pious frauds their fame for prophecy was established, we cannot tell any more than Jean Gerson or Gérard Machet. With the doctors of the fifteenth century we must look upon these virgins as speaking the word of truth to the nations, who venerated but did not understand them. Such was the ancient tradition of the Christian Church. The most ancient fathers of the Church, Justin, Origen, Clement of Alexandria, frequently made use of the Sibylline oracles; and the heathen were at a loss for a reply when Lactantius confronted them with these prophetesses of the nations. Trusting in the word of Varro, Saint Jerome firmly believed in their existence. Into The City of God Saint Augustine introduces the Erythrean Sibyl, who, he says, faithfully foretold the Life of the Saviour. As early as the thirteenth century, these virgins of old had their places in cathedrals by the side of patriarchs and prophets. But it was not until the fifteenth century that multitudes of them were represented; sculptured on church porches, carved on choir stalls, painted on chapel walls or glass windows. Each one has her distinctive attribute. The Persian holds the lantern and the Libyan the torch, which illuminated the darkness of the Gentiles. The Agrippine, the European, and Erythrean are armed with the sword; the Phrygian bears the Paschal cross; the Hellespontine presents a rose tree in flower; the others display the visible signs of the mystery they foretell: the Cumæan a manger; the Delphian, the Samian, the Tiburtine, the Cimmerian a crown of thorns, a sceptre of reeds, scourges, a cross.[775]
The very economy of the Christian religion—the ordering of its mysteries, wherein humanity is represented as ruined by a woman and saved by a virgin, and all flesh is involved in Eve's curse—led to the triumph of virginity and the exaltation of a condition which, in the words of a Father of the Church, is in the flesh, yet not of the flesh.
"It is because of virginity," says Saint Gregory of Nyssa, "that God vouchsafes to dwell with men. It is virginity which gives men wings to soar towards heaven." Celibacy raises the Apostle John above the Prince of the Apostles himself. At the funeral of the Virgin Mary, Peter gave John a palm branch, saying: "It becometh one who is celibate to bear the Virgin's palm."[776]
Throughout western Christendom the Virgin Mary—the Virgin par excellence—had been the object of zealous devout worship[777] ever since the twelfth century. The great cathedrals of northern France, dedicated to Our Lady, celebrated the feast of their patron saint on the day of the Assumption. On the sculptured pillar of the central porch was the Virgin, with her divine Child and the Virgin's lily. Sometimes Eve figured beneath, in order to represent at once sin and its redemption: the second Eve redeeming the first, the Virgin exalted the woman humbled. Marvellous scenes are portrayed on the tympanums of porches. The Virgin is kneeling; at her side is a flowering lily in a vase. The Angel, book in hand, greets her with an AVE, thus transposing the name EVA, mutans Evæ nomen. Or again, with her feet resting on the crescent moon, she rises to the highest heaven: Exaltata est super choros angelorum. Further, from Jesus Christ she receives the precious crown: Posuit in capite ejus coronam de lapide pretioso. In gems of painted glass, church windows portrayed the figures of Mary's virginity; the stone which Daniel saw dug from the mountain by no human hand, Gideon's fleece, Moses' burning bush, and Aaron's budding rod.