He stopped talking, took his snuff-box from his pocket, and filled his nose with a pinch.

The night was densely dark. The moon shed her limpid light over the river, and tremblingly enlaced with the reflections of the street lamps. The flying ephemerides enveloped us like a vaporous eddy. The shrill voice of insects rose into the world’s silence. Such a sweetness fell slowly down from the sky that it seemed as if milk had been mixed with the sparkling of the stars.

M. d’Asterac spoke again:

“The Bible, my son, and especially the books of Moses, contains grand and useful verities. Such an opinion may appear absurd and unreasonable, in consequence of the treatment the theologians have inflicted on what they call the Scriptures, and of which they have made, by means of their commentaries, explications, and meditations, a manual of errors, a library of absurdities, a magazine of foolery, a cabinet of lies, a gallery of stupidities, a lyceum of ignorance, a museum of silliness, and a repository of human imbecility and wickedness. Know, my son, that at its origin it was a temple filled with celestial radiance.

“I have been fortunate enough to re-establish it in its primal splendour. Truth obliges me to acknowledge that Mosaïde has very much assisted me with his deep comprehension of the language and the alphabet of the Hebrews. But let us not lose sight of our principal subject. Be informed from the outset, my son, that the sense of the Bible is figurative, and that the capital error of the theologians was to take it literally, whereas it is to be understood as symbolical. Follow this truth in the whole course of my discourse.

“When Demiurge, who is commonly called Jehovah, and by many more names, as all terms expressing quality or quantity are generally applied to him, had, I do not want to say ‘created’ the world—for such would be an absurdity—but had laid out a small corner of the universe, as a dwelling place for Adam and Eve, there were some subtle creatures in space, which Jehovah had not formed, was not capable of forming. They were the work of several other demiurges, older and more skillful. His craft was not beyond that of a very clever potter, capable of kneading clay beings in the manner of pots, such as we men are now. What I say is not to slight him, because such work is still much beyond human power.

“But it became necessary to brand the inferior character of the work of the seven days. Jehovah worked, not in and with fire, which alone gives birth to the masterpieces of life, but with mud, out of which he could not produce other than the work of a clever ceramist. We are nothing, my son, but animated earthenware. Jehovah is not to be reproached for having illusions over the quality of his work. If he did find it well done in the first moment, and in the ardour of composition, he did not take long to recognise his error, the Bible is full of expressions of his discontent, which often becomes ill-humour, sometimes actual rage.

“Never has artisan treated the objects of his industry with more disgust and aversion. He intended to destroy them, and, in fact, did drown the larger part. This deluge, the memory of which has been conserved by Jews, Greeks and Chinese alike, gave a last deception to the unhappy demiurges, who, aware of the uselessness and ridiculousness of such violence, became discouraged, and fell into an apathy, the progress of which has not been stopped from Noah’s time to our present day, wherein it is extreme. But I see I have advanced too far. The inconvenience of these extensive subjects is the impossibility of remaining within their limits.

“Our mind thrown into them resembles yonder sons of the suns, who cross the whole of the universe in one single jump.

“Let us return to the earthly paradise, wherein the demiurge had placed the two vases formed by his hand, Adam and Eve. They did not live there alone, between the animals and plants. The spirits of the air, created by the demiurges of the fire, were flowing over and looking at them with a curiosity mixed with sympathy and pity. It was exactly as Jehovah had foreseen. Let us hasten to say, to his praise, he had relied on the genii of the fire, to whom we may now give their true names of Elves and Salamanders, to ameliorate and perfect his clay figures. In his prudence he may have said to himself: ‘My Adam and my Eve, opaque and cemented in clay, are in want of air and light. I have failed to give them wings. But united to Elves and Salamanders, the creations of a demiurge more powerful and more subtle than myself, they will give birth to children, equally originated by light and clay, and who in their turn will have children still more luminous than themselves, till in the end their issue will be equal in beauty to the sons and daughters of air and fire.’