Having read this letter, she tore it up gently, threw it in the fire, and calmly watched it burn.
Doubtless, he was right. He had said what he had to say; he had complained, as it was his duty to complain. What could she answer? Should she continue her quarrel? The subject of it had become so indifferent to her that it needed reflection to recall it. Oh, no; she had no desire to be tormented. She felt, on the contrary, very gentle toward him! Seeing that he loved her with confidence, in stubborn tranquillity, she became sad and frightened. He had not changed. He was the same man he had been before. She was not the same woman. They were separated now by imperceptible yet strong influences, like essences in the air that make one live or die. When her maid came to dress her, she had not begun to write an answer.
Anxious, she thought: “He trusts me. He suspects nothing.” This made her more impatient than anything. It irritated her to think that there were simple people who doubt neither themselves nor others.
She went into the parlor, where she found Vivian Bell writing. The latter said:
“Do you wish to know, darling, what I was doing while waiting for you? Nothing and everything. Verses. Oh, darling, poetry must be our souls naturally expressed.”
Therese kissed Miss Bell, rested her head on her friend’s shoulder, and said:
“May I look?”
“Look if you wish, dear. They are verses made on the model of the popular songs of your country.”
“Is it a symbol, Vivian? Explain it to me.”
“Oh, darling, why explain, why? A poetic image must have several meanings. The one that you find is the real one. But there is a very clear meaning in them, my love; that is, that one should not lightly disengage one’s self from what one has taken into the heart.”