At Lagrange’s name, Therese recalled the flaming comet announced by the savant, and said to herself, with mocking sadness, that it was time for that comet to put an end to the world and take her out of her trouble. But above the walls of the old church she saw the sky, which, cleared of clouds by the wind from the sea, shone pale blue and cold. Miss Bell showed to her one of the bronze statues which, in their chiselled niches, ornament the facade of the church.

“See, darling, how young and proud is Saint George. Saint George was formerly the cavalier about whom young girls dreamed.”

But “darling” said that he looked precise, tiresome, and stubborn. At this moment she recalled suddenly the letter that was still in her pocket.

“Ah! here comes Monsieur Dechartre,” said the good Madame Marmet.

He had looked for them in the church, before the tabernacle. He should have recalled the irresistible attraction which Donatello’s St. George held for Miss Bell. He too admired that famous figure. But he retained a particular friendship for St. Mark, rustic and frank, whom they could see in his niche at the left.

When Therese approached the statue which he was pointing out to her, she saw a post-box against the wall of the narrow street opposite the saint. Dechartre, placed at the most convenient point of view, talked of his St. Mark with abundant friendship.

“It is to him I make my first visit when I come to Florence. I failed to do this only once. He will forgive me; he is an excellent man. He is not appreciated by the crowd, and does not attract attention. I take pleasure in his society, however. He is vivid. I understand that Donatello, after giving a soul to him, exclaimed: ‘Mark, why do you not speak?’”

Madame Marmet, tired of admiring St. Mark, and feeling on her face the burning wind, dragged Miss Bell toward Calzaioli Street in search of a veil.

Therese and Dechartre remained.

“I like him,” continued the sculptor; “I like Saint Mark because I feel in him, much more than in the Saint George, the hand and mind of Donatello, who was a good workman. I like him even more to-day, because he recalls to me, in his venerable and touching candor, the old cobbler to whom you were speaking so kindly this morning.”