And he dropped the Lucretius into his jacket pocket.
Straightway old Sariette flew at the antiquary, assailed him with sudden fury, and, frail and weakly as he was, butted him back into young Octavie's arm-chair.
Guinardon, in furious amazement, belched forth the most horrible abuse on the old maniac and gave him a punch that sent him staggering back four paces against the Coronation of the Virgin, by Fra Angelico, which fell down with a crash. Sariette returned to the charge, and tried to drag the book out of the pocket in which it lay hid. This time Père Guinardon would really have floored him had he not been blinded by the blood that was rushing to his head, and hit sideways at the work-table of his absent mistress. Sariette fastened himself on to his bewildered adversary, held him down in the arm-chair, and with his little bony hands clutched him by the neck, which, red as it was already, became a deep crimson. Guinardon struggled to get free, but the little fingers, feeling the mass of soft, warm flesh about them, embedded themselves in it with delicious ecstasy. Some unknown force made them hold fast to their prey. Guinardon's throat began to rattle, saliva was oozing from one corner of his mouth. His enormous frame quivered now and again beneath the grasp; but the tremors grew more and more intermittent and spasmodic. At last they ceased. The murderous hands did not let go their hold. Sariette had to make a violent effort to loose them. His temples were buzzing. Nevertheless he could hear the rain falling outside, muffled steps going past on the pavement, newspaper men shouting in the distance. He could see umbrellas passing along in the dim light. He drew the book from the dead man's pocket and fled.
The fair Octavie did not go back to the shop that night. She went to sleep in a little entresol underneath the bric-a-brac stores which Monsieur de Blancmesnil had recently bought for her in this same Rue de Courcelles. The workman whose task it was to shut up the shop found the antiquary's body still warm. He called Madame Lenain, the concierge, who laid Guinardon on the couch, lit a couple of candles, put a sprig of box in a saucer of holy water, and closed the dead man's eyes. The doctor who was called in to certify the death ascribed it to apoplexy.
Zéphyrine, informed of what had happened by Madame Lenain, hastened to the house, and sat up all night with the body. The dead man looked as if he were sleeping. In the flickering light of the candles El Greco's Saint mounted upwards like a wreath of smoke, the gold of the Primitives gleamed in the shadows. Near the deathbed a little woman by Baudouin was plainly discernible giving herself a douche. All through the night Zéphyrine's lamentations could be heard fifty yards away.
"He's dead, he's dead!" she kept saying. "My friend, my divinity, my all, my love—— But no! he is not dead, he moves. It is I, Michel; I, your Zéphyrine. Awake, hear me! Answer me; I love you; if ever I caused you pain, forgive me. Dead! dead! O my God! See how beautiful he is. He was so good, so clever, so kind. My God! My God! My God! If I had been there he would not now be lying dead. Michel! Michel!"
When morning came she was silent. They thought she had fallen asleep. She was dead too.