"Bless my soul!"
Monsieur Blancmesnil, anxious to improve his knowledge, asked him what he thought of this artist who was now so much in vogue. Gaétan replied, glibly enough, that he did not regard El Greco as the eccentric, the madman that people used to take him for. It was rather his opinion that a defect of vision from which Theotocopuli suffered compelled him to deform his figures.
"Being afflicted with astigmatism and strabismus," Gaétan went on, "he painted the things he saw exactly as he used to see them."
Comte Desmaisons was not readily disposed to accept so natural an explanation, which, however, by its very simplicity, highly commended itself to Monsieur Blancmesnil.
Père Guinardon, quite beside himself, exclaimed:
"Are you going to tell me, Monsieur d'Esparvieu, that Saint John was astigmatic because he beheld a woman clothed with the sun, crowned with stars, with the moon about her feet; the Beast with seven heads and ten horns, and the seven angels robed in white linen that bore the seven cups filled with the wrath of the Living God?"
"After all," said Monsieur Gaétan, by way of conclusion, "people are right in admiring El Greco if he had genius enough to impose his morbidity of vision upon them. By the same token, the contortions to which he subjects the human countenance may give satisfaction to those who love suffering,—a class more numerous than is generally supposed."
"Monsieur," replied the Comte Desmaisons, stroking his luxuriant beard with his long, thin hand, "we must love those that love us. Suffering loves us and attaches itself to us. We must love it if life is to be supportable to us. In the knowledge of this truth lies the strength and value of Christianity. Alas! I do not possess the gift of Faith. It is that which drives me to despair."
The old man thought of her for whom he had been mourning twenty years, and forthwith his reason left him, and his thoughts abandoned themselves unresistingly to the morbid imaginings of gentle and melancholy madness.
Having, he said, made a study of psychic matters, and having, with the co-operation of a favourable medium, carried out experiments concerning the nature and duration of the soul, he had obtained some remarkable results, which, however, did not afford him complete satisfaction. He had succeeded in viewing the soul of his dead wife under the appearance of a transparent and gelatinous mass which bore not the slightest resemblance to his adored one. The most painful part about the whole experiment—which he had repeated over and over again—was that the gelatinous mass, which was furnished with a number of extremely slender tentacles, maintained them in constant motion in time to a rhythm apparently intended to make certain signs, but of what these movements were supposed to convey there was not the slightest clue.