“The make of a man is shown by his ruling passion. With soldiers, as with all crowds, the ruling passion, the predominant thought, is fear. They go to meet the enemy as the foe from whom the least danger is to be feared. Troops in line are so drawn up on both sides that flight is impossible. In that lies all the art of battle. The armies of the Republic were victorious because the discipline of the olden times was maintained in them with the utmost severity, while it was relaxed in the camp of the Allied Armies. Our generals of the second year after the Revolution were none other than sergeants like that la Ramée who used to have half a dozen conscripts shot every day in order to encourage the others, as Voltaire put it, and to arouse them with the trumpet-note of patriotism.”
“That’s very plausible,” said M. Roux. “But there is another point. There is such a thing as the innate joy of firing a musket-shot. As you know, my dear sir, I am by no means a destructive animal. I have no taste for military life. I have even very advanced humanitarian ideas, and I believe that the brotherhood of the nations will be brought about by the triumph of socialism. In a word, I am filled with the love of humanity. But as soon as they put a musket in my hand I want to fire at everyone. It’s in the blood....”
M. Roux was a fine hearty fellow who had quickly shaken down in his regiment. Violent exercise suited his robust temperament, and being in addition very adaptable, although he had acquired no special taste for the profession, he found life in barracks quite bearable, and so remained both healthy and happy.
“You have left the power of suggestion out of your calculations, sir,” said he. “Only give a man a bayonet at the end of a musket and he will instantly be ready to plunge it into the body of the first comer and so make himself a hero, as you call it.”
The rich southern tones of M. Roux were still echoing through the room when Madame Bergeret came in. As a rule she seldom entered the study when her husband was there. To-day M. Bergeret noticed that she wore her fine pink and white peignoir.
Expressing great surprise at finding M. Roux in the study, she explained that she had just come in to ask her husband for a volume of poems with which she might while away an hour or two.
She was suddenly a charming, good-tempered woman: the professor noticed the fact, as a fact, though he felt no special interest in it.
Removing Freund’s Dictionary from an old leather arm-chair, M. Roux cleared a seat for Madame Bergeret, while her husband’s thoughts strayed, first to the quartos stacked against the wall and then to his wife who had taken their place in the arm-chair. These two masses of matter, the dictionary and the lady, thought he, were once but gases floating in the primitive nebulosity. Though now they are strangely different from one another in look, in nature and in function, they were once for long ages exactly similar.
“For,” thought he to himself, “Madame Bergeret once swam in the vasty abyss of the ages, shapeless, unconscious, scattered in light gleams of oxygen and carbon. At the same time, the molecules that were one day to make up this Latin dictionary were whirling in this same vapour, which was destined at last to give birth to monstrous forms, to minute insects and to a slender thread of thought. These imperfect and often harassing creations, these monuments of my weary life, my wife and my dictionary, needed the travail of eternity to produce them. Yet Amélie is just a paltry mind in a coarsened body, and my dictionary is full of mistakes. We can see from this example alone that there is very little hope that even new æons of time would ever give us perfect knowledge and beauty. As it is, we live but for a moment, yet by living for ever we should gain nothing. The faults we see in nature, and how faulty she is we know, are produced neither by time nor space!”
And in the restless perturbation of his thoughts M. Bergeret continued: