Thus chatting, they walked along. They took the Via Viminale; then the Via Agostino Depretis, which runs into the Viminale at the Pincio; then by way of the Via Nazionale they got into the Corso, which they crossed; after this their way lay through a number of little streets without any names. The portmanteau was not so heavy as to prevent the facchino from stepping out briskly; and Fleurissoire could hardly keep up with him. He trotted along beside Baptistin, dropping with fatigue and dripping with heat.
“Here we are!” said Baptistin at last, just as Amédée was going to beg for quarter.
The street, or rather the alley of the Vecchierelli, was dark and narrow—so much so that Fleurissoire hesitated to enter it. Baptistin, in the meantime, had gone into the second house on the right, the door of which was only a few yards from the quay; at the same moment, Fleurissoire saw a bersagliere come out; the smart uniform which he had noticed at the frontier, reassured him—for he had confidence in the army. He advanced a few steps. A lady appeared on the threshold (the landlady of the inn apparently) and smiled at him affably. She wore an apron of black satin, bracelets, and a sky-blue silk ribbon round her neck; her jet-black hair was piled in an edifice on the top of her head and sat heavily on an enormous tortoise-shell comb.
“Your portmanteau has been carried up to the third floor,” said she to Amédée in French, using the intimate “thou,” which he imagined must be an Italian custom, or must else be set down to want of familiarity with the language.
“Grazia!” he replied, smiling in his turn. “Grazia!—thank you!”—the only Italian word he could say, and which he considered it polite to put into the feminine when he was talking to a lady.
He went upstairs, stopping to gather breath and courage at every landing, for he was worn out with fatigue, and the sordidness of the staircase contributed to sink his spirits still lower. The landings succeeded each other every ten steps; the stairs hesitated, tacked, made three several attempts before they managed to reach a floor. From the ceiling of the first landing hung a canary cage which could be seen from the street. On to the second landing a mangy cat had dragged a haddock skin, which she was preparing to bolt. On the third landing the door of the closet stood wide open and revealed to view the seat, and beside it a yellow earthenware vase, shaped like a top-hat, from whose cup protruded the stick of a small mop; on this landing Amédée refrained from stopping.
On the first floor a smoky gasolene lamp was hanging beside a large glass door, on which the word Salone was written in frosted letters; but the room was dark, and Amédée could barely make out through the glass panes of the door a mirror in a gold frame hanging on the wall opposite.
He was just reaching the seventh landing, when another soldier—an artillery man this time—who had come out of a room on the second floor, bumped up against him; he was running downstairs very fast and, after setting Amédée on his feet again, passed on, muttering a laughing excuse in Italian, for Fleurissoire was stumbling from fatigue and looked as if he were drunk. The first uniform had reassured him, but the second made him uneasy.
“These soldiers are a noisy lot,” thought he. “Fortunately my room is on the third floor. I prefer to have them below me.”
He had no sooner passed the second floor than a woman in a gaping dressing-gown, with her hair undone, came running from the other end of the passage and hailed him.