of theatrical vision, whether their names be Gonzaga or Bibiena, whether Sanquirico or Ciceri.
PORTRAIT OF THE POET JEAN COCTEAU
This masterpiece, concerning which the author of these lines has written a book, is a free “capriccio” of the Great Age when Tiepolo
PORTRAIT OF THE DANCER M.
brushed elbows with Mansart. “Artémis troublée”, a ballet produced at the Opera during the spring of the present year, is a graceful mythological play springing from a similar set of ideas.
I am far from having exhausted the plentiful material of these innumerable works, for during almost a quarter of a century Bakst has
PORTRAIT OF THE PAINTER GOLOVINE