PLATES

[Portrait of Bakst by Modigliani][I]
[“Chastising Cupid”, project of decorative panel][II]
[D’Annunzio’s “Martyrdom of St. Sebastian”, Mme. Rubinstein in the 5th act][III]
[Judith of Bethulia (panel)][IV]
[“Forsaken Chloe”, project of decorative panel. (Gouache)][V]
[Portrait of Mr. T. (red chalk)][VI]
[“Modern dress” (a “fantaisie”)][VII]
[“Daphnis and Chloe parting in the evening”, sketch for decorative panel. (Gouache)][VIII]
[“Sheherazade” ballet. First Eunuch. (Gouache)][IX]
[An inferior deity. “Narcissus” ballet. (Gouache)][X]
[Stage decorations for ballet “Orientales”. (Gouache)][XI]
[A Negro’s costume (Sheherazade)][XII]
[Stage decorations for Oscar Wilde’s “Salome”. (Gouache)][XIII]
[“Phædra” tragedy. Phædra’s nurse][XIV]
[Stage decorations for Hindu ballet. (Gouache)][XV]
[Mme. Ida Rubinstein as St. Sebastian][XVI]
[The imperial palace (“The Martyrdom of St. Sebastian”)][XVII]
[Mme. Rubinstein in “The Martyrdom of St. Sebastian”][XVIII]
[The “Women of good humour” ballet. Rinaldo. (Gouache)][XIX]
[Stage decorations for “Phædra” (Gouache)][XX]
[A costume. “Narcissus” ballet][XXI]
[The Pilgrim (“Blue God” ballet). Gouache][XXII]
[Stage decorations for act 4th of D’Annunzio’s “St. Sebastian”. (Gouache)][XXIII]
[The Czarevitch’s costume (“The Bird of Fire”)][XXIV]
[Project of stage decorations for “Sleeping Beauty”][XXV]
[Stage decorations for the vault scene (“St. Sebastian”)][XXVI]
[“Terror antiquus”. First golden medal. 1911 Universal Exhibition (Brussels)][XXVII]
[“Terror antiquus” (detailed)][XXVIII]
[Submarine monsters (“Sadko” opera). Gouache][XXIX]
[Stage decorations for the ballet “Women of good humour” (second version). Gouache][XXX]
[A bacchanalian dance (Joseph) by R. Strauss][XXXI]
[Mr. Nijinsky as “Blue God”. (Gouache)][XXXII]
[The red Sultana][XXXIII]
[The pink Sultana. (Gouache)][XXXIV]
[The yellow Sultana. (Gouache)][XXXV]
[Stage decorations for the “Blue God”][XXXVI]
[Stage decorations for act 3rd of Verhaerens’s “Helen of Sparta”. (Gouache)][XXXVII]
[Stage decorations for the “Cleopatra” ballet][XXXVIII]
[Costume for Tcherepnine’s “Adoration”][XXXIX]
[Costume for Stravinsky’s “Bird of Fire”][XL]
[The “Boutique fantasque” ballet. The child with dolls][XLI]
[The “Butterflies” ballet. A valet in 1850][XLII]
[A huntress. Decorative panel][XLIII]
[The “Boutique fantasque” ballet. A doll][XLIV]
[A page (“Aladin” ballet)][XLV]
[A page in Louis XIV’s style (“Aladin” ballet)][XLVI]
[The Empress Elisabeth Petrovna hunting. (Gouache)][XLVII]
[Delphi. (Gouache)][XLVIII]
[Galisson, Prince Charmant’s tutor. Louis XIV00 ballet (Pavlova tournée). Gouache][XLIX]
[The Bird of Fire (another version). Gouache][L]
[The “Boutique fantasque” ballet. The Englishwoman][LI]
[The “Boutique fantasque” ballet. The Englishman][LII]
[Stage decorations for “Thamar”][LIII]
[“Sadko”][LIV]
[The “Boutique fantasque” ballet. “La poupée aux dentelles”][LV]
[Modern Costume (A “fantaisie”). Gouache][LVI]
[Portrait of Ida Rubinstein][LVII]
[A call (Poster for an exhibition at Vienna). Gouache][LVIII]
[A living model. Red chalk and chalk][LIX]
[The “Boutique fantasque” ballet. An Italian doll][LX]
[Portrait of the poet A. Bely. Crayon and pencil][LXI]
[A portrait][LXII]
[Portrait of the boy Z. Red chalk][LXIII]
[The “Women of good humour” ballet. Dorothea][LXIV]
[A peasant woman (Sketch by Potemkine). Gouache][LXV]
[A peasant woman (Sketch by Potemkine). Gouache][LXVI]
[Costume for “Le chantre et la dévote”][LXVII]
[Costume of peasant woman for Potemkine’s “Village”][LXVIII]
Typographical errors corrected by the etext transcriber:
certain amateurishsess=> certain amateurishness {pg 50}
Offtimes he is mistaken=> Oftimes he is mistaken {pg 50}
due do the fact=> due to the fact {pg 50}
quite agressive=> quite aggressive {pg 50}
when its was exhibited=> when it was exhibited {pg 109}
uncompromising youth wo defie=> uncompromising youth who defie {pg 122}
painter Pierre Ronnard=> painter Pierre Bonnard {pg 180}
Baskt exchanges=> Bakst exchanges {pg 203}