[122] P. ii, 6. B.-G. xv, p. 218. Here are noticeable reminiscences from the Recordare in the Dies Irae of Legrenzi, for eight-part chorus, three violes and organ.
[123] P. ii, 8. B.-G. xv.
[124] P. ii, 7. B.-G. xv, p. 228.
[125] These variations are contained in the fifth volume of the Peters edition (Part ii, 1 and 2).
[126] P. vi, 15.
[127] This also must have been written for the clavecin; the right hand passing over the left in order to strike the bass note e, held meanwhile by the pedal, clearly indicates the intention of thereby prolonging the sound.
[128] Published by Ritter: Geschichte des Orgelspiels, part ii, p. 181.
[129] Musica Sacra, vol. i, p. 5.
[130] Orgelbüchlein Worinne einem anfahenden Organisten Anleitung gegeben wird, auff allerhand Arth einen Choral durchzuführen, anbey auch sich im Pedal Studio zu habilitiren, indem in solchen darinne befindlichen Choralen das Pedal gantz obligat tractiret wird. Dem Höchsten Gott allein zu ehren, Dem Nechsten, draus sich zu belehren. Autore Joanne Sebast. Bach p.t. Capellae Magistro S.P.R. Anhaltini-Cotheniensis.
The chorales of the Orgelbüchlein are published in the fifth volume of the Peters, and in the twenty-fifth year of the Bach-Gesellschaft edition. W. Rust, in the latter volume, has preserved the order adopted by Bach in the succession of these chorales, which is according to the church year.