[193] This work contains, with numerous examples, a study of ornamentation, from G. Diruta to J.S. Bach in the first part, from Ph. E. Bach to our own period in the second. (London: Novello, Ewer & Co.)
[194] P. vi, 9. B.-G.
[195] B.-G. xiii, p. xvi. We again encounter this grouping in the flute part of the et in unum Deum of the B minor Mass.
[196] The autograph was contained in the collection of Ph. Spitta.
[197] Toccata II (libro i).
[198] Toccata 6a (adagio), and Toccata 3a of the Apparatus musico-organisticus.
[199] Veit Bach was born in Gotha during the second half of the sixteenth century; he is considered the progenitor of the Bach family. He was the first representative of the race of musicians who furnished "cantors" and organists to the greater number of the central German cities. At Erfurt, for instance, the direction of the "council music" was in their hands from 1625 until 1735, and even after their disappearance the town musicians were still referred to as "the Bachs."
[200] This instrument was constructed in 1701 by Wender, an organ-builder in Mühlhausen. Wender had a certain local reputation, but was unskilful and not very conscientious.
[201] Besides a salary of 85 thalers, he had various perquisites "in kind."
[202] One of his cantatas, Gott ist mein König, was engraved in separate parts by Brückner of Mühlhausen.