In this Figure, which consists of three parts, the first represents the Geometrical Elevation of the Right-side of the Nave above the Cornice, and of the Design painted in the Vault. The second contains the great Arch of the Vault, and the Geometrical Elevation of the Front of the said Design. The third part shews the Plan of the whole Work painted on the Vault, the Extent and Disposition of which is the same with that of the Nave, as beforemention’d. The Geometrical Plan, as I have formerly hinted, is no less necessary for the painting a Design in Perspective, than it is for raising a Structure with solid Materials.


Fig. xcvii.

Figura Nonages. septima.

Alia præparatio ad figuras nonagesimamoctavam & nonagesimamnonam.

Ut optica projectio vestigii & elevationis quartæ partis totius Operis distinctior evaderet, mensuras partium singularum quadruplicavi, eandemque methodum in hac delineatione tenui, quæ figuris octogesimasextâ, octogesimaseptimâ, octogesimaoctavâ, & octogesimanonâ, explicata fuit. Punctum oculi positum est in medio navis Ecclesiæ; punctum distantiæ est in lineâ ex quâ incipit arcus testudinis.

Ninety-seventh Figure.