Nose, mouth, and forehead being thus softly shadowed, the great luminous eyes shine out with doubled brilliancy and effect.
It is some consolation to Frank ladies to know that, excepting that never-to-be-sufficiently praised veil, Turkish out-door costume is absolutely hideous.
A large loose cloak called a “feredje” is thrown over the in-door dress, and this is so long that it has to be gathered up in front when the wearer walks, thus giving her the appearance of a moving bag or bundle. The huge, unshapely yellow boots also give a very ungainly appearance. Some of the fashionable ladies, however, are discarding these ugly over-alls, and are adopting French boots without heels.
Near the wall were drawn up “arabas” waiting for the ladies, and very magnificent “turn-outs” they were.
An araba is a native carriage that is much used by women, as it easily contains eight or ten persons. In shape it is something between a char-à-banc and a waggon, but is without springs. It is generally very gaily decorated and painted, and is comfortably cushioned inside. The top is covered with a thick red, green, or blue cloth that is fringed with gold. The white oxen that draw the carriages are generally beautiful creatures, and are also brilliantly adorned with red trappings and tassels, and have sometimes their foreheads painted bright pink or blue.
After a time our exhausted bodies became somewhat refreshed, and our crushed minds began to revive, and to face more courageously the duties of the day; so at last, summoning a strong resolution, we rushed across the hot court and over another burning “place,” where the gravel felt as if it had been baked in an oven, and found ourselves in the Imperial armoury.
It was formerly an old chapel, and the remains of a great white marble cross at one end seemed to rebuke the desecration it is suffering.
There are some magnificent scimitars, made of the finest Damascus steel, and some of the hilts and scabbards are of gold, thickly encrusted with precious stones, but beyond these valuable decorations the collection of arms did not appear to be of much value. There are some hundreds of old matchlocks of an obsolete form, and probably of doubtful utility.
Amongst the curiosities are shown the Bells of Santa Sophia when it was a Christian church, the ancient keys of Constantinople, and the gorgeous scimitar of Sultan Mahmoud.
The Palace is but an assemblage of small buildings joined together by passages, and added to, from time to time, by successive sovereigns.