Mr. E. Windsor Richards, the broad manager of the largest manufactory of iron and steel in the world, was soon acquainted by them with the discovery. He tried it upon a large scale, and announced the end of the reign of King Phosphorus; but he dies hard. This was some years ago, for I read the good news a few minutes after I had landed at Naples from the East, on my way round the world in the year 1879. Many obstacles had yet to be surmounted, but now every ton of steel manufactured at Mr. Richards's great works is made from iron stone which a few years ago was counted worthless for steel. Enough iron stone can be had for three dollars to make a ton of pig iron suitable for steel rails. The same amount of low phosphorus stone at Pittsburgh cost last year sixteen dollars, and yet there are intelligent people who do not understand why we cannot make rails as cheap as the English.
I wonder if I could explain to the general reader how Messrs. Thomas and Gilchrist succeeded. It always seems to me like a fairy tale—I will try. In making steel, ten tons of molten pig iron is run into a big pot called a converter, and hundreds of jets of air are blown up through the mass to burn out the silica and carbon, and finally to make it steel. Now, phosphorus has a greater affinity for lime than for iron when it reaches a certain temperature, and when the air blast brings the mass to the required heat, the million particles of phosphorus, like so many tiny ants disturbed, run hither and thither, quite ready to leave the iron for the lime. These clever young men first put a lot of lime in the bottom of the pot as a bait, and into this fly the ants, perfectly delighted with their new home. The lime and slag float to the top and are drawn off—but mark you, let the temperature fall and the new home gets too cold to suit these salamanders, although the temperature may be over 2,000 degrees, hot enough to melt a bar of steel in a moment if thrown into the pot. No, they must have 2,500 degrees in the lime or they will rush back to the metal.
But here lay a difficulty: 2,500 degrees is so very hot that no ordinary pot lining will stand it, and of course the iron pot itself will not last a moment. If ganister or fire brick is used it just crumbles away, and besides this, the plaguey particles of phosphorus will rush into it and tear it all to pieces. The great point is to get a basic lining, that is, one free from silica. This has at last been accomplished, and now the basic process is destined to revolutionize the manufacture of steel, for out of the poorest ores, and even out of puddle cinder, steel or iron much purer than any now made for rails or bridges can be obtained, and the two young chemists, patentees of the Thomas-Gilchrist process, take their rank in the domain of metallurgy with Cort, Nelson, Bessemer and Siemens. These young men have done more for England's greatness than all her kings and queens and aristocracy put together.
A Modern Moses.
It was this pale Gladstonian-looking youth we had with us for the day and for our Sunday evening dinner at Windsor. He wears no title—he is too sound a Radical, and too sensible a man to change the name his honored father gave him—but nevertheless we felt we had one of the great men of our generation as our guest. If it be true, as it is, that he who causes two blades of grass to grow where but one grew before is a benefactor to the race, what is the magician who takes from the bowels of the earth a ton of dross, and transforms it into steel before our eyes—strikes with his enchanted wand a hundred mines of worthless stone and turns it into gold, as the prophet struck the dry rock and called water forth? The age of real miracles is not over, you see, it has only begun, and Thomas is our modern Moses; his miracle seems as much greater than that of his prototype as the nineteenth century is advanced beyond that of the Jewish dispensation.
Monday was another thoroughly English day. The silver Thames, that glistened in the sun, was enlivened by many stately swans. The castle towered in all its majesty, vivified by the meteor flag which fluttered in the breeze. The grounds of Eton were crowded with nice-looking English boys as we passed. Many of us walked down the steep hill and far into the country in advance of the coach, and felt once more that a fine day in the south of England was perfection indeed. The sun here reminds one of the cup that cheers, but does not inebriate: its rays cheer, but never scorch. You could not tell whether, if there were to be any change, you would prefer it to be a shade cooler or a shade warmer.
The swans of Windsor are an institution almost as old as the castle itself, for they are mentioned in records more than five hundred years ago. The swan is indeed a royal bird, and it is said that no subject can own them when at large in a public river except by special grant from the crown. Such a grant is accompanied by a swan-mark for each game of swans—the proper term, mark you, for a collection of the noble birds. You may say a flock of geese but not of swans; a game of swans, please, if you would "speak by the card." The corporation of Windsor has possessed the right of keeping swans in the Thames almost from time immemorial. Formerly the king's swanherd made an annual expedition up the river to mark them. He and his assistants chased the poor frightened birds in boats, caught them roughly with long hooks, with little deference to their beautiful plumage, and marked them by cutting one or more nicks in the upper mandible of their beaks. This expedition, called swan-upping (corrupted into swan-hopping), is still made by the deputies of the Dyers' and Vintners' companies, now the principal swan owners on the Thames, the mark of the former being one nick and of the latter two nicks on the bill.
Stoke Pogis.
Stoke Pogis is a few miles out of our direct road, but who would miss that, even were the detour double what the ordnance survey makes it? Besides, had not a dear friend, a stay-at-home, told us that one of the happiest days of her life was that spent in making a pilgrimage to the shrine of the poet from this very Windsor? Gray's was the first shrine at which we stopped to worship, and the beauty, the stillness, the peace of that low, quaint, ivy-covered church, and its old-fashioned graveyard, sank into our hearts. Surely no one could revive memories more sweetly English than he who gave us the Elegy. Some lines, and even verses of that gem, will endure, it may safely be predicted, as long as anything English does, and that is saying much. We found just such a churchyard as seemed suited to the ode. Gray is fortunate in his resting-place. Earth has no prettier, calmer spot to give her child than this. It is the very ideal God's acre. The little church, too, is perfect. How fine is Gray's inscription upon his mother's tomb! I avoid cemeteries whenever possible, but this seemed more like a place where one revisits those he has once known than that where, alas! we must mourn those lost forever. Gray's voice—the voice of one that is still, even the touch of the vanished hand, these seemed to be found there, for after our visit the poet was closer to me than he had ever been before. It is not thus with such as we have known and loved in the flesh—their graves let us silently avoid. He whom you seek is not here; but the great dead, whom we have known only through their souls, do come closer to us as we stand over their graves. The flesh we have known has become spiritualized; the spirits we have known become in a measure materialized, and I felt I had a firmer hold upon Gray from having stood over his dust.
Here is the inscription he put upon his mother's grave: