Akbar's Tomb amazes one by its gigantic size, which dwarfs all other tombs. The amount of inlaid work, composed of jasper, carnelian, and other precious stones, seen at every step, inclines one to believe that it cost the fabulous sum stated. It should be remembered that it was the custom among these monarchs always to erect during their lives a palace in which great ceremonies took place while they lived, and which became their tomb at their death. A similar custom prevailed in Egypt, where each ruler began a pyramid when he began his reign. It was in this way that so many splendid structures were built. Akbar did not live to see this vast building completed, but his son carried on the work. The stern simplicity of Akbar's tomb, which is in the centre of the building and under ground, pleased me. It is a plain solid block of marble, without one word upon it, or mark of any kind; as if it would say to all time, What need to tell the world that the great Akbar lies here?
Speaking generally, the palaces and tombs of Agra are far finer than I had imagined them to be, and the relief experienced in getting away from the plaster shams of Lucknow—cheap magnificence, to genuine grandeur at Agra—can be easily imagined.
Our train having been delayed in reaching Agra, we had arrived too late to visit the Taj by moonlight; and in deference to the strong remonstrance of every one we have met here, we have not yet attempted to see the wonder. "Oh! don't think, please don't think of seeing the Taj until the very last, because, if you do, every thing else will seem so coarse," has been in substance the exclamation of every friend. But now we are through with all else, and we start, two o'clock P.M., February 14th, 1879. Vandy has just come to announce that our carriage is ready. Good-bye! Am I to be disappointed? Of course I am. I have made up my mind to that, and having just had tiffin, and drank a whole pint of bitter beer, I feel myself quite competent to criticise the Taj with the best of them, and especially well fitted just now to stand no nonsense. We met an American who was travelling as a matter of duty, and had found, as far as travel was concerned, I suspect, that he belonged to the class represented by the grumbler in paradise, whose "halo didn't fit his head exactly." He had found nothing in India, he said, but a lot of rubbish, but checked himself at once, "except the Taj. Now that building—that is—perfectly satisfactory," as if he had ordered a suit of clothes from his tailor and had nothing to find fault with. On the other hand, I have just come across a statement "that stern men, overpowered by the sight of it, have been known to burst into tears." It is this miracle of inanimate matter we are now to see. But here comes Vandy again. "Come on, Andrew; carriage waiting." I'm off—particulars in our next.
* * * * *
FRIDAY NIGHT, February 14.
We have seen it, but I am without the slightest desire to burst into rapturous adjectives. Do not expect me to attempt a description of it, or to try to express my feelings. There are some subjects too sacred for analysis, or even for words, and I now know that there is a human structure so exquisitely fine, or unearthly, as to lift it into this holy domain. Let me say little about it; only tell you that, lingering until the sun went down, we turned in the noble gateway which forms a frame through which you see the Taj in the distance, with only the blue sky in the background, around and above it, and there took our last fond sad farewell, as the shades of night were wrapping the lovely jewel in their embrace, as if it were a charge too sweetly precious not to be safely enveloped in night's black mantle, till it could again shine forth at the dawn in all its beauty to adorn the earth. Full in its face we gazed. How kindly it seemed to look upon us! And as one parts for the last time from one whose eye glistens at his glance, we turned never to look upon the Taj again, hiding our eyes as the carriage rolled away, lest by any mischance a partial view should intrude to mar the perfect image our mind has grasped to tarry with us forever. We had been so deliciously sad, and at the same time so thrillingly but yet so solemnly happy for hours, and now came pain alone, the inevitable finale to all our joys on earth—the parting forever. But till the day I die, amid mountain streams or moonlight strolls in the forest, wherever and whenever the mood comes, when all that is most sacred, most elevated, and most pure recur to shed their radiance upon the tranquil mind, there will be found among my treasures the memory of that lovely charm—the Taj.
We had engaged to meet some friends at the club as we drove homeward, but was it any wonder that neither of us remembered this until the stoppage of the carriage at our hotel awoke us from our reveries! What was to be done? Vandy's reply expressed our condition exactly: "Go out to enjoy myself when I feel that I want to go and put on mourning! I couldn't do it." And we didn't. Our friends will please accept this intimation.
In reading these pages at home so long after the visit one can bring one's self to be a little prosaic in regard to this marvel, and tell his readers just what the Taj is. As before stated, it is the structure erected by the Emperor Jehanghir in memory of that paragon Noor Mahal. That a tomb should be erected at all for a woman in India is of itself significant, to begin with, and the Roman Emperor who put his horse's head upon the coin and who is supposed to have consulted him in political affairs did not take a much wider departure from custom than did this true lover when he put upon the coin a woman's image with his own.
The Taj is built of a light creamy marble, so that it does not chill one as pure cold white marble does. It is warm and sympathetic as a woman. One great critic has finely called the Taj a feminine structure. There is nothing masculine about it, says he; its charms are all feminine. This creamy marble is inlaid with fine black marble lines, the entire Koran in Arabic letters, it is said, being thus interwoven.
The following description is condensed from Fergusson: The enclosure, which includes an inner and an outer court, the whole about a fifth of a mile wide, extends along the banks of the Jumna River one-third of a mile. The principal gateway, opening into the inner court, is a hundred and forty feet high by a hundred and ten feet wide. The mausoleum stands in the centre of a raised marble platform, eighteen feet high, and exactly three hundred and thirteen feet square. At each angle of this terrace rises a minaret, a hundred and thirty-three feet high, and of exquisite proportions, "more beautiful, perhaps," says Ferguson, "than any other in India." The mausoleum itself is a square of one hundred and eighty-six feet, with the corners cut off to the extent of about thirty-four feet. In the centre is the principal dome, fifty-eight feet in diameter, and eighty feet high, and at each angle is a smaller dome surmounting a two-story apartment, about twenty-seven feet in diameter.