History of the Warfare of Science with Theology in Christendom

by Andrew Dickson White

This view of the general process of creation had come from far, appearing under varying forms in various ancient cosmogonies. In the Egyptian temples at Philae and Denderah may still be seen representations of the Nile gods modelling lumps of clay into men, and a similar work is ascribed in the Assyrian tablets to the gods of Babylonia. Passing into our own sacred books, these ideas became the starting point of a vast new development of theology.(11)

(11) For representations of Egyptian gods creating men out of lumps
of clay, see Maspero and Sayce, The Dawn of History, p. 156; for the
Chaldean legends of the creation of men and animals, see ibid., p. 543;
see also George Smith, Chaldean Accounts of Genesis, Sayce's edition,
pp. 36, 72, and 93; also for similar legends in other ancient nations,
Lenormant, Origines de l'Histoire, pp. 17 et seq.; for mediaeval
representations of the creation of man and woman, see Didron,
Iconographie, pp. 35, 178, 224, 537.

The fathers of the Church generally received each of the two conflicting creation legends in Genesis literally, and then, having done their best to reconcile them with each other and to mould them together, made them the final test of thought upon the universe and all things therein. At the beginning of the fourth century Lactantius struck the key-note of this mode of subordinating all other things in the study of creation to the literal text of Scripture, and he enforces his view of the creation of man by a bit of philology, saying the final being created "is called man because he is made from the ground—homo ex humo."

In the second half of the same century this view as to the literal acceptance of the sacred text was reasserted by St. Ambrose, who, in his work on the creation, declared that "Moses opened his mouth and poured forth what God had said to him." But a greater than either of them fastened this idea into the Christian theologies. St. Augustine, preparing his Commentary on the Book of Genesis, laid down in one famous sentence the law which has lasted in the Church until our own time: "Nothing is to be accepted save on the authority of Scripture, since greater is that authority than all the powers of the human mind." The vigour of the sentence in its original Latin carried it ringing down the centuries: "Major est Scripturae auctoritas quam omnis humani ingenii capacitas."

Through the mediaeval period, in spite of a revolt led by no other than St. Augustine himself, and followed by a series of influential churchmen, contending, as we shall hereafter see, for a modification of the accepted view of creation, this phrase held the minds of men firmly. The great Dominican encyclopaedist, Vincent of Beauvais, in his Mirror of Nature, while mixing ideas brought from Aristotle with a theory drawn from the Bible, stood firmly by the first of the accounts given in Genesis, and assigned the special virtue of the number six as a reason why all things were created in six days; and in the later Middle Ages that eminent authority, Cardinal d' Ailly, accepted everything regarding creation in the sacred books literally. Only a faint dissent is seen in Gregory Reisch, another authority of this later period, who, while giving, in his book on the beginning of things, a full length woodcut showing the Almighty in the act of extracting Eve from Adam's side, with all the rest of new-formed Nature in the background, leans in his writings, like St. Augustine, toward a belief in the pre-existence of matter.

At the Reformation the vast authority of Luther was thrown in favour of the literal acceptance of Scripture as the main source of natural science. The allegorical and mystical interpretations of earlier theologians he utterly rejected. "Why," he asks, "should Moses use allegory when he is not speaking of allegorical creatures or of an allegorical world, but of real creatures and of a visible world, which can be seen, felt, and grasped? Moses calls things by their right names, as we ought to do.... I hold that the animals took their being at once upon the word of God, as did also the fishes in the sea."

Not less explicit in his adherence to the literal account of creation given in Genesis was Calvin. He warns those who, by taking another view than his own, "basely insult the Creator, to expect a judge who will annihilate them." He insists that all species of animals were created in six days, each made up of an evening and a morning, and that no new species has ever appeared since. He dwells on the production of birds from the water as resting upon certain warrant of Scripture, but adds, "If the question is to be argued on physical grounds, we know that water is more akin to air than the earth is." As to difficulties in the scriptural account of creation, he tells us that God "wished by these to give proofs of his power which should fill us with astonishment."

The controlling minds in the Roman Church steadfastly held this view. In the seventeenth century Bossuet threw his vast authority in its favour, and in his Discourse on Universal History, which has remained the foundation not only of theological but of general historical teaching in France down to the present republic, we find him calling attention to what he regards as the culminating act of creation, and asserting that, literally, for the creation of man earth was used, and "the finger of God applied to corruptible matter."

The Protestant world held this idea no less persistently. In the seventeenth century Dr. John Lightfoot, Vice-Chancellor of the University of Cambridge, the great rabbinical scholar of his time, attempted to reconcile the two main legends in Genesis by saying that of the "clean sort of beasts there were seven of every kind created, three couples for breeding and the odd one for Adam's sacrifice on his fall, which God foresaw"; and that of unclean beasts only one couple was created.

So literal was this whole conception of the work of creation that in these days it can scarcely be imagined. The Almighty was represented in theological literature, in the pictured Bibles, and in works of art generally, as a sort of enlarged and venerable Nuremberg toymaker. At times the accounts in Genesis were illustrated with even more literal exactness; thus, in connection with a well-known passage in the sacred text, the Creator was shown as a tailor, seated, needle in hand, diligently sewing together skins of beasts into coats for Adam and Eve. Such representations presented no difficulties to the docile minds of the Middle Ages and the Reformation period; and in the same spirit, when the discovery of fossils began to provoke thought, these were declared to be "models of his works approved or rejected by the great Artificer," "outlines of future creations," "sports of Nature," or "objects placed in the strata to bring to naught human curiosity"; and this kind of explanation lingered on until in our own time an eminent naturalist, in his anxiety to save the literal account in Genesis, has urged that Jehovah tilted and twisted the strata, scattered the fossils through them, scratched the glacial furrows upon them, spread over them the marks of erosion by water, and set Niagara pouring—all in an instant—thus mystifying the world "for some inscrutable purpose, but for his own glory."(12)