We do not know whether or not the readers of Friends in Council will be startled at finding that these volumes show us the grave Milverton and the sarcastic Ellesmere in the capacity of lovers, and leave them in the near prospect of being married—Ellesmere to the bold and dashing Mildred; Milverton to the quiet Blanche. The gradual tending of things to this conclusion forms the main action of the book. The incidents are of the simplest character: there is a plan but no plot, except as regards these marriages. Wearied and jaded with work at home, the three friends of the former volumes resolve on going abroad for awhile. Midhurst and the girls accompany them: and the story is simply that at various places to which they came, one friend read an essay or uttered a discourse (for sometimes the essays are supposed to have been given extempore), and the others talked about it. But the gradual progress of matters towards the weddings (it may be supposed that the happy couples are this September on their wedding tours) is traced with much skill and much knowledge of the fashion in which such things go; and it supplies a peculiar interest to the work, which will probably tide many young ladies over essays on such grave subjects as Government and Despotism. Still, we confess that we had hardly regarded Ellesmere and Milverton as marrying men. We had set them down as too old, grave, and wise, for at least the preliminary stages. We have not forgotten that Dunsford told us [Footnote: Friends in Council, Introduction to Book II.] that in the summer of 1847 he supposed no one but himself would speak of Milverton and Ellesmere as young men; and now of course they are twelve years older, and yet about to be married to girls whom we should judge to be about two or three and twenty. And although it is not an unnatural thing that Ellesmere should have got over his affection for the German Gretchen, whose story is so exquisitely told in the Companions of my Solitude, we find it harder to reconcile Milverton's marriage with our previous impression of him. Yet perhaps all this is truthful to life. It is not an unnatural thing that a man who for years has settled down into the belief that he has faded, and that for him the romantic interest has gone from life, should upon some fresh stimulus gather himself up from that idea, and think that life is not so far gone after all. Who has not on a beautiful September day sometimes chidden himself for having given in to the impression that the season was so far advanced, and clung to the belief that it is almost summer still?

In a preliminary Address to the Reader, the author explains that the essay on War, which occupies a considerable portion of the first volume, was written some time ago, and intends no allusion to recent events in Europe. The Address contains an earnest protest against the maintenance of large standing armies; it is eloquent and forcible, and it affords additional proof how much the author has thought upon the subject of war, and how deeply he feels upon it. Then comes the Introduction proper, written, of course, by Dunsford. It sets out with the praise of conversation, and then it sums up what the 'Friends' have learned in their longer experience of life:—

We 'Friends in Council' are of course somewhat older men than when we first began to meet in friendly conclave; and I have observed as men go on in life they are less and less inclined to be didactic. They have found out that nothing is, didactically speaking, true. They long for exceptions, modifications, allowances. A boy is clear, sharp, decisive in his talk. He would have this. He would do that. He hates this; he loves that: and his loves or his hatreds admit of no exception. He is sure that the one thing is quite right, and the other quite wrong. He is not troubled with doubts. He knows.

I see now why, as men go on in life, they delight, in anecdotes.
These tell so much, and argue, or pronounce directly, so little.

The three friends were sauntering one day in Milverton's garden, all feeling much overwrought and very stupid. Ellesmere proposed that for a little recreation they should go abroad. Milverton pleads his old horror of picture-galleries, and declares himself content with the unpainted pictures he has in his mind:—

It is curious, but I have been painting two companion pictures ever since we have been walking about in the garden. One consists of some dilapidated garden architecture, with overgrown foliage of all kinds, not forest foliage, but that of rare trees such as the Sumach and Japan-cedar, which should have been neglected for thirty years. Here and there, instead of the exquisite parterre, there should be some miserable patches of potatoes and beans, and some squalid clothes hung out to dry. Two ill-dressed children, but of delicate features, should be playing about an ugly neglected pool that had once been the basin to the fountain. But the foliage should be the chief thing, gaunt, grotesque, rare, beautiful, like an unkempt, uncared-for, lovely mountain girl. Underneath this picture:—'Property in the country, in chancery.'

The companion picture, of course, should be:—'Property in town, in chancery.' It should consist of two orthree hideous, sordid, window-broken, rat-deserted, paintless, blackened houses, that should look as if they had once been too good company for the neighbourhood, and had met with a fall in life, not deplored by any one. At the opposite corner should be a flaunting new gin-palace. I do not know whether I should have the heart to bring any children there, but I would if I could.

The reader will discern that the author of Friends in Council has lost nothing of his power of picturesque description, and nothing of his horror of the abuses and cruelties of the law. And the passage may serve to remind of the touching, graphic account of the country residence of a reduced family in the Companions of my Solitude. [Footnote: Chap. iv.] Ellesmere assures Milverton that he shall not be asked to see a single picture; and that if Milverton will bring Blanche and Mildred with him, he will himself go and see seven of the chief sewers in seven of the chief towns. The appeal to the sanitarian's feelings is successful; the bargain is struck; and we next find the entire party sauntering, after an early German dinner, on the terrace of some small town on the Rhine,—Dunsford forgets which. Milverton, Ellesmere, and Mr. Midhurst arc smoking, and we commend their conversation on the soothing power of tobacco to the attention of the Dean of Carlisle. Dean Close, by a bold figure, calls tobacco a 'gorging fiend.' Milverton holds that smoking is perhaps the greatest blessing that we owe to the discovery of America. He regards its value as abiding in its power to soothe under the vexations and troubles of life. While smoking, you cease to live almost wholly in the future, which miserable men for the most part do. The question arises, whether the sorrows of the old or the young are the most acute? It is admitted that the sorrows of children are very overwhelming for the time, but they are not of that varied, perplexed, and bewildering nature which derives much consolation from smoke. Ellesmere suggests, very truthfully, that the feeling of shame for having done anything wrong, or even ridiculous, causes most acute misery to the young. And, indeed, who does not know, from personal experience, that the sufferings of children of even four or five years old are often quite as dreadful as those which come as the sad heritage of after years? We look back on them now, and smile at them as we think how small were their causes. Well, they were great to us. We were little creatures then, and little things were relatively very great. 'The sports of childhood satisfy the child:' the sorrows of childhood overwhelm the poor little thing. We think a sympathetic reader would hardly read without a tear as well as a smile, an incident in the early life of Patrick Fraser Tytler, recorded in his recently published biography. When five years old he got hold of the gun of an elder brother, and broke the spring of its lock. What anguish the little boy must have endured, what a crushing sense of having caused an irremediable evil, before he sat down and printed in great letters the following epistle to his brother, the owner of the gun—'Oh, Jamie, think no more of guns, for the main-spring of that is broken, and my heart is broken!' Doubtless the poor little fellow fancied that for all the remainder of his life he would never feel as he had felt before he touched the unlucky weapon. Doubtless the little heart was just as full of anguish as it could hold. Looking back over many years, most of us can remember a child crushed and overwhelmed by some sorrow which it thought could never be got over, and can feel for our early self as though sympathizing with another personality.

The upshot of the talk which began with tobacco was, that Milverton was prevailed upon to write an essay on a subject of universal interest to all civilized beings, an essay on Worry. He felt, indeed, that he. should be writing it at a disadvantage; for an essay on worry can be written with full effect only by a thoroughly worried man. There was no worry at all in that quiet little town on the Rhine; they had come there to rest, and there was no intruding duty that demanded that it should be attended to. And probably there is no respect in which that great law of the association of ideas, that like suggests like, holds more strikingly true than in the power of a present state of mind, or a present state of outward circumstances, to bring up vividly before us all such states in our past history. We are depressed, we are worried: and when we look back, all our departed days of worry and depression appear to start up and press themselves upon our view to the exclusion of anything else, so that we are ready to think that we have never been otherwise than depressed and worried all our life. But when more cheerful times come, they suggest only such times of cheerfulness, and no effort will bring back the worry vividly as when we felt it. It is not selfishness or heartlessness; it is the result of an inevitable law of mind that people in happy circumstances should resolutely believe that it is a happy world after all; for looking back, and looking around, the mind refuses to take distinct note of anything that is not somewhat akin to its present state. Milverton wrote an excellent essay on Worry on the evening of that day; but he might possibly have written a better one at Worth-Ashton on the evening of a day on which he had discovered that his coachman was stealing the corn provided for the carriage horses, or galloping these animals about the country at the dead of night to see his friends. We must have a score of little annoyances stinging us at once to have the undiluted sense of being worried. And probably a not wealthy man, residing in the country, and farming a few acres of ground by means of somewhat unfaithful and neglectful servants, may occasionally find so many things going wrong at once, and so many little things demanding to be attended to at once, that he shall experience worry in as high a degree as it can be felt by mortal. Thus truthfully does Milverton's essay begin:—

The great characteristic of modern life is Worry.