[Footnote: Peter's Letters to his Kinsfolk, vol. iii. p. 267.]
The best proof how much Chalmers owed to his manner, is, that in his latter days, when he was no longer able to give them with his wonted animation and feeling, the very same discourses fell quite flat on his congregation.
It is long since Sydney Smith expressed his views as to the chilliness which is the general characteristic of the Anglican pulpit. In the preface to his published sermons, he says:
The English, generally remarkable for doing very good things in a very bad manner, seem to have reserved the maturity and plenitude of their awkwardness for the pulpit. A clergyman clings to his velvet cushion with either hand, keeps his eye rivetted on his book, speaks of the ecstacies of joy and fear with a voice and a face which indicates neither; and pinions his body and soul into the same attitude of limb and thought, for fear of being thought theatrical and affected. The most intrepid veteran of us all dares no more than wipe his face with his cambric sudarium; if by mischance his hand slip from its orthodox gripe of the velvet, he draws it back as from liquid brimstone, and atones for the indecorum by fresh inflexibility and more rigorous sameness. Is it wonder, then, that every semi-delirious sectary who pours forth his animated nonsense with the genuine look and voice of passion, should gesticulate away the congregation of the most profound and learned divine of the established church, and in two Sundays preach him bare to the very sexton? Why are we natural everywhere but in the pulpit? No man expresses warm and animated feelings anywhere else, with his mouth only, but with his whole body; he articulates with every limb, and talks from head to foot with a thousand voices. Why this holoplexia on sacred occasions only? Why call in the aid of paralysis to piety? Is sin to be taken from men, as Eve was from Adam, by casting them into a deep slumber? Or from what possible perversion of common sense are we all to look like field preachers in Zembla, holy lumps of ice, numbed into quiescence and stagnation and mumbling?
Now in Scotland, for very many years past, the standard style of preaching has been that which the lively yet gentle satirist wished to see more common in England. Whether successfully or not, Scotch preachers aim at what Sydney Smith regarded as the right way of preaching—'to rouse, to appeal, to inflame, to break through every barrier, up to the very haunts and chambers of the soul.' Whether this end be a safe one to propose to each one of some hundreds of men of ordinary ability and taste, may be a question. An unsuccessful attempt at it is very likely to land a man in gross offence against common taste and common sense, from which he whose aim is less ambitious is almost certainly safe. The preacher whose purpose is to preach plain sense in such a style and manner as not to offend people of education and refinement, if he fail in doing what he wishes, may indeed be dull, but will not be absurd and offensive. But however this may be, it is curious that this impassioned and highly oratorical school of preaching should be found among a cautious, cool-headed race like the Scotch. The Scotch are proverbial for long heads, and no great capacity of emotion. Sir Walter Scott, in Rob Roy, in describing the preacher whom the hero heard in the crypt of Glasgow Cathedral, says that his countrymen are much more accessible to logic than rhetoric; and that this fact determines the character of the preaching which is most acceptable to them. If the case was such in those times, matters are assuredly quite altered now. Logic is indeed not overlooked: but it is brilliancy of illustration, and, above all, great feeling and earnestness, which go down. Mr. Caird, the most popular of modern Scotch preachers, though possessing a very powerful and logical mind, yet owes his popularity with the mass of hearers almost entirely to his tremendous power of feeling and producing emotion. By way of contrast to Sydney Smith's picture of the English pulpit manner, let us look at one of Chalmers's great appearances. Look on that picture, and then on this:
The Doctor's manner during the whole delivery of that magnificent discourse was strikingly animated: while the enthusiasm and energy he threw into some of his bursts rendered them quite overpowering. One expression which he used, together with his action, his look, and the tones of his voice, made a most vivid and indelible impression on my memory… While uttering these words, which he did with peculiar emphasis, accompanying them with a flash from his eye and a slump of his foot, he threw his right arm with clenched fist right across the book-board, and brandished it full in the face of the Town Council, sitting in state before him. The words seem to startle, like an electric shock, the whole audience.
Very likely they did: but we should regret to see a bishop, or even a dean, have recourse to such means of producing an impression. We shall give one other extract descriptive of Chalmers's manner:
It was a transcendently grand, a glorious burst. The energy of his action corresponded. Intense emotion beamed from his countenance. I cannot describe the appearance of his face better than by saving it was lighted up almost into a glare. The congregation were intensely excited, leaning forward in the pews like a forest bending under the power of the hurricane,—looking steadfastly at the preacher, and listening in breathless wonderment. So soon as it was concluded, there was (as invariably was the case at the close of the Doctor's bursts) a deep sigh, or rather gasp for breath, accompanied by a movement throughout the whole audience.
[Footnote: Life of Chalmers, vol. i. pp. 462, 3, and 467, 8. It should be mentioned that Chahners, notwithstanding this tremendous vehemence, always read his sermons.]
There is indeed in the Scotch Church a considerable class of most respectable preachers who read their sermons, and who, both for matter and manner, might be transplanted without remark into the pulpit of any cathedral in England. There is a school, also, of high standing and no small popularity, whose manner and style are calm and beautiful; but who, through deficiency of that vehemence which is at such a premium in Scotland at present, will never draw crowds such as hang upon the lips of more excited orators. Foremost among such stands Mr. Robertson, minister of Strathmartin, in Forfarshire. Dr. McCulloch, of Greenock, and Dr. Veitch, of St. Cuthbert's, Edinburgh, are among the best specimens of the class. But that preaching which interests, leads onward, and instructs, has few admirers compared with that which thrills, overwhelms, and sweeps away. And from the impression made on individuals so competent to judge as those already mentioned, it would certainly seem that, whether suited to the dignity of the pulpit or not, the deepest oratorical effect is made by the latter, even on cultivated minds. Some of the most popular preachers in England have formed themselves on the Scotch model. Melvill and M'Neile are examples: so, in a different walk, is Ryle, so well known by his tracts. We believe that Melvill in his early days delivered his sermons from memory, and of late years only has taken to reading, to the considerable diminution of the effect he produces. We may here remark, that in some country districts the prejudice of the people against clergymen reading their sermons is excessive. It is indeed to be admitted that it is a more natural thing that a speaker should look at the audience he is addressing, and appear to speak from the feeling of the moment, than that he should read to them what he has to say; but it is hard to impose upon a parish minister, burdened with pastoral duty, the irksome school-boy task of committing to memory a long sermon, and perhaps two, every week. The system of reading is spreading rapidly in the Scotch Church, and seems likely in a few years to become all but universal. Caird reads his sermons closely on ordinary Sundays, but delivers entirely from memory in preaching on any particular occasion.