A BALLAD OF DEPARTURE.[1]
Fair white bird, what song art thou singing
In wintry weather of lands o'er sea?
Dear white bird, what way art thou winging,
Where no grass grows, and no green tree ?
I looked at the far off fields and grey,
There grew no tree but the cypress tree,
That bears sad fruits with the flowers of May,
And whoso looks on it, woe is he.
And whoso eats of the fruit thereof
Has no more sorrow, and no more love;
And who sets the same in his garden stead,
In a little space he is waste and dead.
We seek a city splendid,
With light beyond the sun;
Or lands where dreams are ended,
And works and days are done.
THEY HEAR THE SIRENS FOR THE SECOND TIME.
The weary sails a moment slept,
The oars were silent for a space,
As past Hesperian shores we swept,
That were as a remembered face
Seen after lapse of hopeless years,
In Hades, when the shadows meet,
Dim through the mist of many tears,
And strange, and though a shadow, sweet.
So seemed the half-remembered shore,
That slumbered, mirrored in the blue,
With havens where we touched of yore,
And ports that over well we knew.
Then broke the calm before a breeze
That sought the secret of the west;
And listless all we swept the seas
Towards the Islands of the Blest.
Beside a golden sanded bay
We saw the Sirens, very fair
The flowery hill whereon they lay,
The flowers set upon their hair.
Their old sweet song came down the wind.
Remembered music waxing strong,
Ah now no need of cords to bind,
No need had we of Orphic song.
It once had seemed a little thing,
To lay our lives down at their feet,
That dying we might hear them sing,
And dying see their faces sweet;
But now, we glanced, and passing by,
No care had we to tarry long;
Faint hope, and rest, and memory
Were more than any Siren's song.
CIRCE'S ISLE REVISITED.
Ah, Circe, Circe! in the wood we cried;
Ah, Circe, Circe! but no voice replied;
No voice from bowers o'ergrown and ruinous
As fallen rocks upon the mountain side.
There was no sound of singing in the air;
Faded or fled the maidens that were fair,
No more for sorrow or joy were seen of us,
No light of laughing eyes, or floating hair.
The perfume, and the music, and the flame
Had passed away; the memory of shame
Alone abode, and stings of faint desire,
And pulses of vague quiet went and came.
Ah, Circe! in thy sad changed fairy place,
Our dead Youth came and looked on us a space,
With drooping wings, and eyes of faded fire,
And wasted hair about a weary face.
Why had we ever sought the magic isle
That seemed so happy in the days erewhile?
Why did we ever leave it, where we met
A world of happy wonders in one smile?
Back to the westward and the waning light
We turned, we fled; the solitude of night
Was better than the infinite regret,
In fallen places of our dead delight.
THE LIMIT OF LANDS.
Between the circling ocean sea
And the poplars of Persephone
There lies a strip of barren sand,
Flecked with the sea's last spray, and strown
With waste leaves of the poplars, blown
From gardens of the shadow land.
With altars of old sacrifice
The shore is set, in mournful wise
The mists upon the ocean brood;
Between the water and the air
The clouds are born that float and fare
Between the water and the wood.
Upon the grey sea never sail
Of mortals passed within our hail,
Where the last weak waves faint and flow;
We heard within the poplar pale
The murmur of a doubtful wail
Of voices loved so long ago.
We scarce had care to die or live,
We had no honey cake to give,
No wine of sacrifice to shed;
There lies no new path over sea,
And now we know how faint they be,
The feasts and voices of the Dead.
Ah, flowers and dance! ah, sun and snow!
Glad life, sad life we did forego
To dream of quietness and rest;
Ah, would the fleet sweet roses here
Poured light and perfume through the drear
Pale year, and wan land of the west.
Sad youth, that let the spring go by
Because the spring is swift to fly,
Sad youth, that feared to mourn or love,
Behold how sadder far is this,
To know that rest is nowise bliss,
And darkness is the end thereof.
THE SHADE OF HELEN.
Some say that Helen went never to Troy, but abode in
Egypt; for the Gods, having made in her semblance a
woman out of clouds and shadows, sent the same to be
wife to Paris. For this shadow then the Greeks and
Trojans slew each other.
(Written in the Pyrenees.)
Why from the quiet hollows of the hills,
And extreme meeting place of light and shade,
Wherein soft rains fell slowly, and became
Clouds among sister clouds, where fair spent beams
And dying glories of the sun would dwell,'
Why have they whom I know not, nor may know,
Strange hands, unseen and ruthless, fashioned me,
And borne me from the silent shadowy hills,
Hither, to noise and glow of alien life,
To harsh and clamorous swords, and sound of war?
One speaks unto me words that would be sweet,
Made harsh, made keen with love that knows me not,
And some strange force, within me or around,
Makes answer, kiss for kiss, and sigh for sigh,
And somewhere there is fever in the halls,
That troubles me, for no such trouble came
To vex the cool far hollows of the hills.
The foolish folk crowd round me, and they cry,
That house, and wife, and lands, and all Troy town,
Are little to lose, if they may hold me here,
And see me flit, a pale and silent shade,
Among the streets bereft, and helpless shrines.
At other hours another life seems mine,
Where one great river runs unswollen of rain,
By pyramids of unremembered kings,
And homes of men obedient to the Dead.
There dark and quiet faces come and go
Around me, then again the shriek of arms,
And all the turmoil of the Ilian men.
What are they? even shadows such as I.
What make they? Even this—the sport of Gods—
The sport of Gods, however free they seem.
Ah would the game were ended, and the light,
The blinding light, and all too mighty suns,
Withdrawn, and I once more with sister shades,
Unloved, forgotten, mingled with the mist,
Dwelt in the hollows of the shadowy hills.
PISIDICÊ.
The incident is from the Love Stories of Parthenius,
who preserved fragments of a lost epic on the
expedition of Achilles against Lesbos, an island
allied with Troy.
The daughter of the Lesbian king
Within her bower she watched the war,
Far off she heard the arrows ring,
The smitten harness ring afar;
And, fighting from the foremost car,
Saw one that smote where all must flee;
More fair than the Immortals are
He seemed to fair Pisidicê!
She saw, she loved him, and her heart
Before Achilles, Peleus' son,
Threw all its guarded gates apart,
A maiden fortress lightly won!
And, ere that day of fight was done,
No more of land or faith recked she,
But joyed in her new life begun,—
Her life of love, Pisidicê!
She took a gift into her hand,
As one that had a boon to crave;
She stole across the ruined land
Where lay the dead without a grave,
And to Achilles' hand she gave
Her gift, the secret postern's key.
"To-morrow let me be thy slave!"
Moaned to her love Pisidicê.
Ere dawn the Argives' clarion call
Rang down Methymna's burning street;
They slew the sleeping warriors all,
They drove the women to the fleet,
Save one, that to Achilles' feet
Clung, but, in sudden wrath, cried he:
"For her no doom but death is meet."
And there men stoned Pisidicê.
In havens of that haunted coast,
Amid the myrtles of the shore,
The moon sees many a maiden ghost,—
Love's outcast now and evermore.
The silence hears the shades deplore
Their hour of dear-bought love; but thee
The waves lull, 'neath thine olives hoar,
To dreamless rest, Pisidicê!
[1] From the Romaic.