Over classical tales we need not linger. Pliny, Plutarch, Suetonius, St. Augustine, Lucian, Plautus (in the Mostellaria), describe, with more or less of seriousness, the apparitions and noises which haunted houses, public baths, and other places. Occasionally a slain man’s phantom was anxious that his body should be buried, and the reported phenomena were akin to those in modern popular legends. Sometimes, in the middle ages, and later, the law took cognisance of haunted houses, when the tenant wished to break his lease. A collection of authorities is given elsewhere, in Ghosts before the Law. It is to be noticed that Bouchel, in his Bibliothèque du Droit Français, chiefly cites classical, not modern, instances.
Among the most careful and exhaustive post-mediæval writers on haunted houses we must cite Petrus Thyræus of the Society of Jesus, Doctor in Theology. His work, published at Cologne in 1598, is a quarto of 352 pages, entitled, ‘Loca Infesta; That is, Concerning Places Haunted by Mischievous Spirits of Demons and of the Dead. Thereto is added a Tract on Nocturnal Disturbances, which are wont to bode the deaths of Men.’ Thyræus begins, ‘That certain places are haunted by spectres and spirits, is no matter of doubt,’ wherein a modern reader cannot confidently follow him.
When it comes to establishing his position Thyræus most provokingly says, ‘we omit cases which are recent and of daily occurrence,’ such as he heard narrated, during his travels, in ‘a certain haunted castle’. A modern inquirer naturally prefers recent examples, which may be inquired into, but the old scholars reposed more confidence in what was written by respected authors, the more ancient the more authoritative. However Thyræus relies on the anthropological test of evidence, and thinks that his belief is confirmed by the coincident reports of hauntings, ‘variis distinctissimisque locis et temporibus,’ in the most various times and places. There is something to be said for this view, and the identity of the alleged phenomena, in all lands and ages, does raise a presumption in favour of some kind of abnormal occurrences, or of a common species of hallucinations. Like most of the old authors Thyræus quotes Augustine’s tale of a haunted house, and an exorcism in De Civitate Dei (lib. xxii. ch. viii.). St. Gregory has also a story of one Paschasius, a deacon, who haunted some baths, and was seen by a bishop. [{131a}] There is a ghost who rode horses, and frightened the religious in the Life of Gregory by Joannes Diaconus (iv. 89). In the Life of Theodorus one Georgius, a disciple of his, mentions a house haunted by stone-throwing sprites, a very common phenomenon in the books of Glanvill, and Increase Mather, in witch trials, and in rural disturbances. Omitting other examples Cardan [{131b}] is cited for a house at Parma, in which during a hundred years the phantom of an old woman was seen before the death of members of the family. This is a rare case of an Italian Banshie. William of Paris, in Bodin (iii. ch. vi.) tells of a stone-throwing fiend, very active in 1447. The bogey of Bingen, a rapping ghost of 856, is duly chronicled; he also threw stones. The dormitory of some nuns was haunted by a spectre who moaned, tramped noisily around, dragged the sisters out of bed by the feet, and even tickled them nearly to death! This annoyance lasted for three years, so Wierus says. [{132}] Wodrow chronicles a similar affair at Mellantrae, in Annandale. Thyræus distinguishes three kinds of haunting sprites, devils, damned souls, and souls in purgatory. Some are mites, mild and sportive; some are truculenti ferocious. Brownies, or fauni, may act in either character, as Secutores et joculatores. They rather aim at teasing than at inflicting harm. They throw stones, lift beds, and make a hubbub and crash with the furniture. Suicides, murderers, and spirits of murdered people, are all apt to haunt houses. The sprites occasionally appear in their proper form, but just as often in disguise: a demon, too, can appear in human shape if so disposed: demons being of their nature deceitful and fond of travesty, as Porphyry teaches us and as Law (1680) illustrates. Whether the spirits of the dead quite know what they are about when they take to haunting, is, in the opinion of Thyræus, a difficult question. Thomas Aquinas, following St. Augustine, inclines to hold that when there is an apparition of a dead man, the dead man is unconscious of the circumstance. A spirit of one kind or another may be acting in his semblance. Thyræus rather fancies that the dead man is aware of what is going on.
Hauntings may be visual, auditory, or confined to the sense of touch. Auditory effects are produced by flutterings of air, noises are caused, steps are heard, laughter, and moaning. Lares domestici (brownies) mostly make a noise. Apparitions may be in tactile form of men or animals, or monsters. As for effects, some ghosts push the living and drive them along, as the Bride of Lammermoor, in Law’s Memorialls, was ‘harled through the house,’ by spirits. The spirits of an amorous complexion seem no longer to be numerous, but are objects of interest to Thyræus as to Increase Mather. Thyræus now raises the difficult question: ‘Are the sounds heard in haunted houses real, or hallucinatory?’ Omnis qui a spiritibus fit, simulatus est, specie sui fallit. The spirits having no vocal organs, can only produce noise. In a spiritual hurly-burly, some of the mortals present hear nothing (as we shall note in some modern examples), but may they not be prevented from hearing by the spirits? Or again, the sounds may be hallucinatory and only some mortals may have the power of hearing them. If there are visual, there may also be auditory hallucinations. [{133}] On the whole Thyræus thinks that the sounds may be real on some occasions, when all present hear them, hallucinatory on others. But the sounds need not be produced on the furniture, for example, when they seem to be so produced. ‘Often we think that the furniture has been all tossed about, when it really has not been stirred.’ The classical instance of the disturbances which aroused Scott at Abbotsford, on the death of his agent Bullock, is in point here. ‘Often a hammer is heard rapping, when there is no hammer in the house’ (p. 82). These are curious references to phenomena, however we explain them, which are still frequently reported.
Thyræus thinks that the air is agitated when sounds are heard, but that is just the question to be solved.
As for visual phantasms, these Thyræus regards as hallucinations produced by spirits on the human senses, not as external objective entities. He now asks why the sense of touch is affected usually as if by a cold body. Beyond assuming the influence of spirits over the air, and, apparently, their power of using dead bodies as vehicles for themselves, Thyræus comes to no distinct conclusion. He endeavours, at great length, to distinguish between haunters who are ghosts of the dead, and haunters who are demons, or spirits unattached. The former wail and moan, the latter are facetious. He decides that to bury dead bodies below the hearth does not prevent haunting, for ‘the hearth has no such efficacy’. Such bodies are not very unfrequently found in old English houses, the reason for this strange interment is not obvious, but perhaps it is explained by the superstition which Thyræus mentions. One might imagine that to bury people up and down a house would rather secure haunting than prevent it. And, indeed, at Passenham Rectory, where the Rev. G. M. Capell found seven skeletons in his dining-room, in 1874, Mrs. Montague Crackanthrope and her nurse were ‘obsessed’ by ‘a feeling that some one was in the room,’ when some one was not. [{135}] Perhaps seven burials were not sufficient to prevent haunting. The conclusion of the work of Thyræus is devoted to exorcisms, and orthodox methods of expelling spirits. The knockings which herald a death are attributed to the Lares, a kind of petty mischievous demons unattached. Such is the essence of the learned Jesuit’s work, and the strange thing is that, in an age of science, people are still discussing his problems, and, stranger still, that the reported phenomena remain the same.
That the Church in the case of Thyræus, and many others; that medical science, in the person of Wierus (b. 1515); that law, in the book of Bouchel, should have gravely canvassed the topic of haunted houses, was, of course, very natural in the dark ages before the restoration of the Stuarts, and the founding of the Royal Society. Common-sense, and ‘drolling Sadduceeism,’ came to their own, in England, with the king, with Charles II. After May 29, 1660, Webster and Wagstaffe mocked at bogles, if Glanvill and More took them seriously.
Before the Restoration it was distinctly dangerous to laugh at witchcraft, ghosts and hauntings. But the laughers came in with the merry monarch, and less by argument than by ridicule, by inveighing against the horror, too, of the hideous witch prosecutions, the laughers gradually brought hauntings and apparitions into contempt. Few educated people dared to admit that their philosophy might not be wholly exhaustive. Even ladies sneered at Dr. Johnson because he, having no dread of common-sense before his eyes, was inclined to hold that there might be some element of truth in a world-old and world-wide belief; and the romantic Anna Seward told, without accepting it, Scott’s tale of ‘The Tapestried chamber’. That a hundred years after the highday and triumph of common-sense, people of education should be found gravely investigating all that common-sense had exploded, is a comfortable thought to the believer in Progress. The world does not stand still.
A hundred years after the blue stockings looked on Johnson as the last survivor, the last of the Mohicans of superstition, the Psychical Society can collect some 400 cases of haunted houses in England.
Ten years ago, in 1884, the society sifted out nineteen stories as in ‘the first class,’ and based on good first-hand evidence. Their analysis of the reports led them to think that there is a certain genuine type of story, and, that when a tale ‘differs widely from the type, it proves to be incorrect, or unattainable from an authentic source’. This is very much the conclusion to which the writer is brought by historical examination of stories about hauntings. With exceptions, to be indicated, these tales all approximate to a type, and that is not the type of the magazine story.