Many such instances of 'ambulatory automatism' are given. In my view, Kaspar was, to put it mildly, an ambulatory automatist, who had strayed away, like the Rev. Mr. Bourne, from some place where nobody desired his return: rather his lifelong absence was an object of hope. The longer Kaspar lived, the more frequently was he detected in every sort of imposture that could make him notorious, or enable him to shirk work.
Kaspar had for months been the pet mystery of Nuremberg. People were sure that, like the mysterious prisoner of Pignerol, Les Exiles, and the Isle Sainte-Marguerite (1669-1703?), Kaspar was some great one, 'kept out of his own.' Now the prisoner of Pignerol was really a valet, and Kaspar was a peasant. Some thought him a son of Napoleon: others averred (as we saw) that he was the infant son of the Grand Duke Karl of Baden, born in 1812, who had not died within a fortnight of his birth, but been spirited away by a lady disguised as the spectral 'White Lady of Baden,' an aristocratic ban-shie. The subtle conspirators had bred the Grand Duke Kaspar in a dark den, the theory ran, hoping that he would prove, by virtue of such education, an acceptable recruit for the Bavarian cavalry, and that no questions would be asked. Unluckily questions were now being asked, for a boy who could only occasionally see and hear was not (though he could smell a cemetery at a distance of five hundred yards), an useful man on a patrol, at least the military authorities thought not. Had they known that Kaspar could see in the dark, they might have kept him as a guide in night attacks, but they did not know. The promising young hussar (he rode well but clumsily) was thus left in the hands of civilians: the Grand Ducal secret might be discovered, so an assassin was sent to take off the young prince.
The wonder was not unnaturally expressed that Kaspar had not smelled out the villain, especially as he was probably the educational albino, who taught him to write in the dark. On hearing of this, later, Kaspar told Lord Stanhope that he had smelled the man: however, he did not mention this at the time. To make a long story short, on October 17, 1829, Kaspar did not come to midday eating, but was found weltering in his gore, in the cellar of Daumer's house. Being offered refreshment in a cup, he bit out a piece of the porcelain and swallowed it. He had 'an inconsiderable wound' on the forehead; to that extent the assassin had effected his purpose. Feuerbach thinks that the murderer had made a shot at Kaspar's throat with a razor, that Kaspar ducked cleverly, and got it on the brow, and that the assassin believed his crime to be consummated, and fled, after uttering words in which Kaspar recognised the voice of his tutor, the possible albino. No albino or other suspicious character was observed. Herr Daumer, before this cruel outrage, had remarked, in Kaspar, 'a highly regrettable tendency to dissimulation and untruthfulness,' and, just before the attack, had told the pupil that he was a humbug. Lord Stanhope quoted a paper of Daumer's in the Universal Gazette of February 6, 1834 (Allgemeine Zeitung), in which he says that 'lying and deceit were become to Kaspar a second nature.' When did they begin to become a second nature? In any case Daumer clove to the romantic theory of Kaspar's origin. Kaspar left Daumer's house and stayed with various good people, being accompanied by a policeman in his walks. He was sent to school, and Feuerbach bitterly complains that he was compelled to study the Latin grammar, 'and finally even Cæsar's Commentaries!' Like other boys, Kaspar protested that he 'did not see the use of Latin,' and indeed many of our modern authors too obviously share Kaspar's indifference to the dead languages. He laughed, in 1831, says Feuerbach, at the popish superstition 'of his early attendants' (we only hear of one, and about his theological predilections we learn nothing), and he also laughed at ghosts. In his new homes Kaspar lied terribly, was angry when detected, and wounded himself—he said accidentally—with a pistol, after being reproached for shirking the Commentaries of Julius Cæsar, and for mendacity. He was very vain, very agreeable as long as no one found fault with him, very lazy, and very sentimental.
In May 1831 Lord Stanhope, who, since the attack on Kaspar in 1829, had been curious about him, came to Nuremberg, and 'took up' the hero, with fantastic fondness. Though he recognised Kaspar's mythopœic tendencies, he believed him to be the victim of some nefarious criminals, and offered a reward of 500 florins, anonymously, for information. It never was claimed.
Already had arisen a new theory, that Kaspar was the son of an Hungarian magnate. Later, Lord Stanhope averred, on oath, that inquiries made in Hungary proved Kaspar to be an impostor. In 1830, a man named Müller, who had been a Protestant preacher, and was now a Catholic priest, denounced a preacher named Wirth, and a Miss Dalbonn, a governess, as kidnappers of Kaspar from the family of a Countess, living near Pesth. Müller was exposed, his motives were revealed, and the newspapers told the story. Kaspar was therefore tried with Hungarian words, and seemed to recognise some, especially Posonbya (Pressburg). He thought that some one had said that his father was at Pressburg: and thither Lord Stanhope sent him, with Lieutenant Hickel. This was in 1831, but Kaspar recognised nothing: his companions, however, found that he pretended to be asleep in the carriage, to hear what was said about him. They ceased to speak of him, and Kaspar ceased to slumber. A later expedition into Hungary, by Hickel, in February 1832, on the strength of more Hungarian excitement on Kaspar's part, discovered that there was nothing to discover, and shook the credulity of Lord Stanhope. He could not believe Kaspar's narrative, but still hoped that he had been terrorised into falsehood. He could not believe both that the albino had never spoken to Kaspar in his prison, and also that 'the man always taught me to do what I was told.' To Lord Stanhope Kaspar averred that 'the man with whom he had always lived said nothing to him till he was on his journey.' Yet, during his imprisonment, the man had taught him, he declared, the phrases which, by his account, were all the words that he knew when he arrived at Nuremberg.
For these and other obvious reasons, Lord Stanhope, though he had relieved Nuremberg of Kaspar (November 1831), and made ample provision for him, was deeply sceptical about his narrative. The town of Nuremberg had already tried to shift the load of Kaspar on to the shoulders of the Bavarian Government. Lord Stanhope did not adopt him, but undertook to pay for his maintenance, and left him, in January 1832, under the charge of a Dr. Meyer, at Anspach. He had a curator, and a guardian, and escaped from the Commentaries of Julius Cæsar into the genial society of Feuerbach. That jurist died in May 1833 (poisoned, say the Kasparites), a new guardian was appointed, and Kaspar lived with Dr. Meyer. Finding him incurably untruthful, the doctor ceased to provoke him by comments on his inaccuracies, and Kaspar got a small clerkly place. With this he was much dissatisfied, for he, like Feuerbach, had expected Lord Stanhope to take him to England. Feuerbach, in the dedication to Lord Stanhope of his book (1832), writes, 'Beyond the sea, in fair old England, you have prepared for him a secure retreat, until the rising sun of Truth shall have dispersed the darkness which still hangs over his mysterious fate.' If Lord Stanhope ever made this promise, his growing scepticism about Kaspar prevented him from fulfilling it. On December 9, 1833, Meyer was much provoked by Kaspar's inveterate falseness, and said that he did not know how to face Lord Stanhope, who was expected to visit Anspach at Christmas. For some weeks Kaspar had been sulky, and there had been questions about a journal which he was supposed to keep, but would not show. He was now especially resentful. On two earlier occasions, after a scene with his tutor, Kaspar had been injured, once by the assassin who cut his forehead; once by a pistol accident. On December 14, he rushed into Dr. Meyer's room, pointed to his side, and led Meyer to a place distant about five hundred yards from his house. So agitated was he that Meyer would go no further, especially as Kaspar would answer no questions. On their return, Kaspar said, 'Went Court Garden—Man—had a knife—gave a bag—struck—I ran as I could—bag must lie there.' Kaspar was found to have a narrow wound, 'two inches and a half under the centre of the left breast,' clearly caused by a very sharp double-edged weapon. In three or four days he died, the heart had been injured. He was able to depose, but not on oath, that on the morning of the 14th a man in a blouse (who had addressed him some days earlier) brought him a verbal message from the Court gardener, asking him to come and view some clay from a newly bored well, where, in fact, no work was being done at this time. He found no one at the well, and went to the monument of the rather forgotten poet Uz. Here a man came forward, gave him a bag, stabbed him, and fled. Of the man he gave discrepant descriptions. He became incoherent, and died.
There was snow lying, when Kaspar was stabbed, but there were no footmarks near the well, and elsewhere, only one man's track was in the Hofgarten. Was that track Kaspar's? We are not told. No knife was found. Kaspar was left-handed, and Dr. Horlacher declared that the blow must have been dealt by a left-handed man. Lord Stanhope suggested that Kaspar himself had inflicted the wound by pressure, and that, after he had squeezed the point of the knife through his wadded coat, it had penetrated much deeper than he had intended, a very probable hypothesis.
As for the bag which the assassin gave him, it was found, and Dr. Meyer said that it was very like a bag which he had seen in Kaspar's possession. It contained a note, folded, said Madame Meyer, as Kaspar folded his own notes. The writing was in pencil, in Spiegelschrift, that is, it had to be read in a mirror. Kaspar, on his deathbed, kept muttering incoherences about 'what is written with lead, no one can read.' The note contained vague phrases about coming from the Bavarian frontier.
After Kaspar's death, the question of 'murder or suicide?' agitated Germany, and gave birth to a long succession of pamphlets. A wild woman, Countess Albersdorf ('née Lady Graham,' says Miss Evans, who later calls her 'Lady Caroline Albersdorf'), saw visions, dreamed dreams, and published nonsense. Other pamphlets came out, directed against the House of Baden. In 1870 an anonymous French pamphleteer offered the Baden romance, as from the papers of a Major von Hennenhofer, the villain in chief of the White Lady plot. Lord Stanhope was named as the ringleader in the attacks on Kaspar, both at Nuremberg and Anspach. In 1883 all the fables were revived in a pamphlet produced at Ratisbon, a mere hash of the libels of 1834, 1839, 1840, and 1870. Dr. Meyer was especially attacked, his sons defended his reputation by an action for libel on the dead, an action which German law permits. There was no defence, and the publisher was fined, and ordered to destroy all the copies. In 1892 the libels were repeated, by 'Baron Alexander von Artin:' two documents of a palpably fraudulent character were added, the rest was the old stuff. The reader may find it in Miss Evans's Kaspar Hauser (1892). For example, Daumer knew a great deal. He even, in 1833, received an anonymous letter from Anspach, containing the following statement: 'Lord Daniel Alban Durteal, advocate of the Royal Court in London, said to me, "I am firmly convinced that Kaspar Hauser was murdered. It was all done by bribery. Stanhope has no money, and lives by this affair."' Daumer and Miss Evans appear to have seen nothing odd in relying on an anonymous letter about Lord Daniel Alban Durteal!
Lord Stanhope, says Miss Evans, 'was known to have subsisted principally upon the sale of his German hymnbook, and other devotional works, for which he was a colporteur.' Weary of piety, Lord Stanhope became a hired assassin. Perhaps this nonsense still has its believers, seduced by 'Lady Caroline Albersdorf, née Lady Graham,' by Lord Daniel Alban Durteal, and by the spirit of Kaspar himself, who, summoned by Daniel Dunglas Home, at a séance with the Empress Eugénie, apparently, announced himself as Prince of Baden. No authority for this interesting ghost of one who disbelieved in ghosts is given.