The cannibals have caught, and are about to eat St. Matthew, but the Lord appears first to him, in his dungeon, and then to St. Andrew, who is living among the Achæans, in Greece. The voyage, the fighting, are in the old heathen style, and the Deity appears with two angels, all three disguised as sailors. It is impossible to give the whole tale, which appealed to the natural man as a great story of adventure in waves and war, while it introduced religion. The adventures are many, and much more startling and wild than any that survive from the Anglo-Saxon poetry of heathen times.

Dream of the Rood.

There is a singular poem "The Dream of the Rood," which with many other "masterless" poems, some critics assign to Cynewulf, on account of the style, and the deep personal feeling which we admire in the "Crist": others attribute it to Cædmon. This opinion was partly based on a curious set of facts. The followers of the great Reformer, John Knox, in Scotland (1560) destroyed almost all the "monuments of idolatry" as they called works of Christian art. But they forgot to break to powder a tall ancient cross of red sandstone, beautifully carved, and marked with Runic characters, in the church of Ruthwell, near Dumfries. Some eighty years later (1642) when the Covenanters were in arms against Charles I, the preachers began a new war against works of Christian art, and ordered the Ruthwell Cross to be destroyed. It was broken into several fragments, which have now been pieced together, and the Cross stands in an apse-shaped building adjoining the church. The Runic characters record a part of the poem styled "The Dream of the Rood," and give the inscription "Cædmon me made", probably Cædmon was really the artist who made and carved the stone cross: indeed the name is rather hard to read.

The poem speaks of the author's wonderful dream of the gold adorned and jewelled True Cross, and, in "Elene," Cynewulf also speaks of the revelation to him of the light of the Truth of the Cross. Conceivably, then, Cynewulf really had a dream or vision, and became devout after a life of war and minstrelsy.

Elene.

It would, in that case, be in old age that Cynewulf wrote, in the "Elene," a poetic version of the legend of the discovery of the True Cross by Helena, mother of the Emperor Constantine. This poem, probably based on a Latin legend, has been very highly praised. But before we can take any pleasure in it, we must try to think ourselves back into the state of mind of England when the heathen poetry of war was still popular, and Christianity, with many mediaeval legends, was a fresh inspiration. Even when we have done that as well as we can, the "Elene" awakens only an historical kind of rapture. The natural man is much more at home with "Beowulf" and "Waldhere" than with "Elene".

The poet begins with an imaginary battle: allied Franks and Huns attack the Emperor Constantine. The motive of Cynewulf is to introduce plenty of fighting: probably he never fought himself, but like other men of peace, he loves to sing of war. His treatment of war is conventional; he introduces the usual cries of wolf, eagle, and raven. Constantine is encouraged by a dream of a bright being who urges him to trust in God; he also sees a vision of the Cross, gay with jewels (as in "The Dream of the Rood") and letters making the words "In this sign conquer". Then the battle is described, with more zest than originality, and the heathen are routed; many are converted. Helena next takes a large force, and sails to Palestine to look for the True Cross. The usual formulæ descriptive of a seafaring are employed.

Helena preaches to the Jews in the mediaeval way, and they, naturally, reply, "We know not, lady, why you are so angry with us". A crafty Jew, Judas, guesses that she has come to demand from them the True Cross, which he is reluctant to give up. Helena threatens to burn the Jews, and does put Judas in a pit, without meat or drink, for seven days. Broken in spirit at last, he says that he will do his best; he prays; a miraculous vapour arises from the spot where, twenty feet underground, three crosses are discovered. Another miracle points out which of the three is the Holy Rood; Judas is baptized, and the shining nails of the Cross are discovered. Then follow the verses in which the poet describes his own old age, and his beholding the true light that lighteneth all men.

Riddles.