Homer and His Age

by Andrew Lang

At Hallstatt there was the normal evolution from bronze swords and axes to iron swords and axes. Why, then, had Homer's men in his time not made this step, seeing that they were familiar with the use of iron? Why do they use bronze for swords and spears, iron for tools? The obvious answer is that they could temper bronze for military purposes much better than they could temper iron. Now Mr. Ridgeway quotes Polybius (ii. 30; ii. 33) for the truly execrable quality of the iron of the Celtic invaders of Italy as late as 225 B.C. Their swords were as bad as, or worse than, British bayonets; they always "doubled up." "Their long iron swords were easily bent, and could only give one downward stroke with any effect; but after this the edges got so turned and the blades so bent that, unless they had time to straighten them with the foot against the ground, they could not deliver a second blow." {Footnote: Early Age of Greece, vol. i. 408.} If the heroes in Homer's time possessed iron as badly tempered as that of the Celts of 225 B.C., they had every reason to prefer, as they did, excellent bronze for all their military weapons, while reserving iron for pacific purposes. A woodcutter's axe might have any amount of weight and thickness of iron behind the edge; not so a sword blade or a spear point. {Footnote: Monsieur Salomon Reinach suggests to me that the story of Polybius may be a myth. Swords and spear-heads in graves are often found doubled up; possibly they are thus made dead, like the owner, and their spirits are thus set free to be of use to his spirit. Finding doubled up iron swords in Celtic graves, the Romans, M. Beinach suggests, may have explained their useless condition by the theory that they doubled up in battle, leaving their owners easy victims, and this myth was accepted as fact by Polybius. But he was not addicted to myth, nor very remote from the events which he chronicles. Again, though bronze grave-weapons in our Museum are often doubled up, the myth is not told of the warriors of the age of bronze. We later give examples of the doubling up, in battle, of Scandinavian iron swords as late as 1000 A.D.}

In the Iliad we hear of swords breaking at the hilt in dealing a stroke at shield or helmet, a thing most incident to bronze swords, especially of the early type, with a thin bronze tang inserted in a hilt of wood, ivory, or amber, or with a slight shelf of the bronze hilt riveted with three nails on to the bronze blade.

Lycaon struck Peneleos on the socket of his helmet crest, "and his sword brake at the hilt." {Footnote: Iliad, XVI. 339.} The sword of Menelaus broke into three or four pieces when he smote the helmet ridge of Paris. {Footnote: Iliad, III. 349, 380.} Iron of the Celtic sort described by Polybius would have bent, not broken. There is no doubt on that head: if Polybius is not romancing, the Celtic sword of 225 B.C. doubled up at every stroke, like a piece of hoop iron. But Mr. Leaf tells us that, "by primitive modes of smelting," iron is made "hard and brittle, like cast iron." If so, it would be even less trustworthy for a sword than bronze. {Footnote: Iliad (1900), Book VI, line 48, Note.} Perhaps the Celts of 225 B.C. did not smelt iron by primitive methods, but discovered some process for making it not hard and brittle, but flabby.

The swords of the Mycenaean graves, we know, were all of bronze, and, in three intaglios on rings from the graves, the point, not the edge, is used, {Footnote: Tsountas and Manatt, p. 199.} once against a lion, once over the rim of a shield which covers the whole body of an enemy, and once at too close quarters to permit the use of the edge. It does not follow from these three cases (as critics argue) that no bronze sword could be used for a swashing blow, and there are just half as many thrusts as strokes with the bronze sword in the Iliad. {Footnote: Twenty-four cuts to eleven lunges, in the Iliad.} As the poet constantly dwells on the "long edge" of the bronze swords and makes heroes use both point and edge, how can we argue that Homeric swords were of iron and ill fitted to give point? The Highlanders at Clifton (1746) were obliged, contrary to their common practice, to use the point against Cumberland's dragoons. They, like the Achaeans, had heavy cut and thrust swords, but theirs were of steel.

If the Achaeans had thoroughly excellent bronze, and had iron as bad as that of the Celts a thousand years later, their preference for bronze over iron for weapons is explained. In Homer the fighters do not very often come to sword strokes; they fight mainly with the spear, except in pursuit, now and then. But when they do strike, they cleave heads and cut off arms. They could not do this with bronze rapiers, such as those with which men give point over the rim of the shield on two Mycenaean gems. But Mr. Myres writes, "From the shaft graves (of Mycenae) onwards there are two types of swords in the Mycenaean world—one an exaggerated dagger riveted into the front end of the hilt, the other with a flat flanged tang running the whole length of the hilt, and covered on either face by ornamental grip plates riveted on. This sword, though still of bronze, can deal a very effective cut; and, as the Mycenaeans had no armour for body or head," (?) "the danger of breaking or bending the sword on a cuirass or helmet did not arise." {Footnote: Classical Review, xvi. 72.} The danger did exist in Homer's time, as we have seen. But a bronze sword, published by Tsountas and Manatt (Mycenaean Age, p. 199, fig. 88), is emphatically meant to give both point and edge, having a solid handle—a continuation of the blade—and a very broad blade, coming to a very fine point. Even in Grave V. at Mycenae, we have a sword blade so massive at the top that it was certainly capable of a swashing blow. {Footnote: Schuchardt, Schliemann's Excavations, p. 265, fig. 269.} The sword of the charioteer on the stêlê of Grave V. is equally good for cut and thrust. A pleasanter cut and thrust bronze sword than the one found at Ialysus no gentleman could wish to handle. {Footnote: Furtwängler und Loeschke, Myk. Va. Taf. D.} Homer, in any case, says that his heroes used bronze swords, well adapted to strike. If his age had really good bronze, and iron as bad as that of the Celts of Polybius, a thousand years later, their preference of bronze over iron for weapons needs no explanation. If their iron was not so bad as that of the Celts, their military conservatism might retain bronze for weapons, while in civil life they often used iron for implements.

The uniform evidence of the Homeric poems can only be explained on the supposition that men had plenty of iron; but, while they used it for implements, did not yet, with a natural conservatism, trust life and victory to iron spears and swords. Unluckily, we cannot test the temper of the earliest known iron swords found in Greece, for rust hath consumed them, and I know not that the temper of the Mycenaean bronze swords has been tested against helmets of bronze. I can thus give no evidence from experiment.

There is just one line in Homer which disregards the distinction—iron for implements, bronze for weapons; it is in Odyssey, XVI. 294; XIX. 13. Telemachus is told to remove the warlike harness of Odysseus from the hall, lest the wooers use it in the coming fray. He is to explain the removal by saying that it has been done, "Lest you fall to strife in your cups, and harm each other, and shame the feast, and this wooing; for iron of himself draweth a man to him." The proverb is manifestly of an age when iron was almost universally used for weapons, and thus was, as in Thucydides, synonymous with all warlike gear; but throughout the poems no single article of warlike gear is of iron except one eccentric mace and one arrow-head of primitive type. The line in the Odyssey must therefore be a very late addition; it may be removed without injuring the sense of the passage in which it occurs. {Footnote: This fact, in itself, is of course no proof of interpolation. Cf. Helbig, op. cit., p. 331. He thinks the line very late.} If, on the other hand, the line be as old as the oldest parts of the poem, the author for once forgets his usual antiquarian precision.

We are thus led to the conclusion that either there was in early Greece an age when weapons were all of bronze while implements were often of iron, or that the poet, or crowd of poets, invented that state of things. Now early poets never invent in this way; singing to an audience of warriors, critical on such a point, they speak of what the warriors know to be actual, except when, in a recognised form of decorative exaggeration, they introduce

"Masts of the beaten gold
And sails of taffetie."

Our theory is, then, that in the age when the Homeric poems were composed, iron, though well known, was on its probation. Men of the sword preferred bronze for all their military purposes, just as fifteenth-century soldiers found the long-bow and cross-bow much more effective than guns, or as the Duke of Wellington forbade the arming of all our men with rifles in place of muskets ... for reasons not devoid of plausibility.